Images grown in grass
July 14th 2008 02:06
An interesting, unique idea! These portraits were created by growing grass in a darkroom, illuminating it from a negative, harnessing the light sensitive nature of grass to form an image.
Now if we could only make movies like that.
Read about the work on CR blog.
The work is a commercial contract between UK artists Heather Ackroyd and Dan Harvey and HSBC Bank, supporting Wimbledon, which explains the tennis-related images.
The next obvious move from this is to create erotica in the medium of grass. It's the perfect method of expression... a couple of dirty photos which slowly peter out as sunlight fades the details away. After a month, just the hint of a naughty bit might be evident, and your dog would probably relieve itself all over the image.
"“Ackroyd and Harvey stumbled onto this technique after producing an installation that involved covering an indoor wall with living grass,” he continues. “A ladder was leaning against the wall, and the artists noticed that even after it was removed, a faint outline of the ladder remained on the grass. They set about experimenting with ways of enhancing this effect, and soon they were using a slide projector as an artificial light source for growing their unique photographs. A typical exposure time is just over a week, with the image projected for 12 hours a day.”"
Now, to move onto colour!
Now if we could only make movies like that.
The work is a commercial contract between UK artists Heather Ackroyd and Dan Harvey and HSBC Bank, supporting Wimbledon, which explains the tennis-related images.
The next obvious move from this is to create erotica in the medium of grass. It's the perfect method of expression... a couple of dirty photos which slowly peter out as sunlight fades the details away. After a month, just the hint of a naughty bit might be evident, and your dog would probably relieve itself all over the image.
"“Ackroyd and Harvey stumbled onto this technique after producing an installation that involved covering an indoor wall with living grass,” he continues. “A ladder was leaning against the wall, and the artists noticed that even after it was removed, a faint outline of the ladder remained on the grass. They set about experimenting with ways of enhancing this effect, and soon they were using a slide projector as an artificial light source for growing their unique photographs. A typical exposure time is just over a week, with the image projected for 12 hours a day.”"
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Comment by Wayne Tully
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I wonder what different types of grass they might use and if they painted each individual blade of grass in the future, what would that look like!?
Comment by Cibbuano
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