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A blog for artists and lovers of the arts from around the world, featuring discussions, appreciation and commentary on visual art, performance art and art-film.

The Tragic Rape of Europa

September 19th 2008 02:15
The Third Reich's war on Artistic Masterpieces


rape of europa poster
The Rape of Europa - Documentary



WWII was a brutal conflict that saw mass extermination of human lives, diabolical goals and greedy plundering. Exposing the ugliest side to our nature, Adolf Hitler’s Nazi’s committed a seemingly endless stream of heinous atrocities in their attempts to dominate the world and its people.

Before entering politics a young Hitler, scarred by what he witnessed first hand at The Battle of the Somme was a struggling artist. Comprehending the power of the media to manipulate the populace, his propaganda campaigns were born out of his warped appreciation for art. Stemming from culture, creative expression often aims at an emotional response exposing hidden truth and personal beliefs.

rape of europa art theft
Taking a piece of history at a time



A part of history now, during his reign Hitler pursued many lost treasures purely to destroy them for fear of what they represented or for selfish gains. An applauded new documentary, “The Rape of Europa” explores this facet of the terrifying ambitions of the Nazi’s.

rape of europa nazis
Missing the point


From the official website - rapeofeuropa.com
The Rape of Europa tells the epic story of the systematic theft, deliberate destruction and miraculous survival of Europe’s art treasures during the Third Reich and the Second World War.

In a journey through seven countries, the film takes the audience into the violent whirlwind of fanaticism, greed, and warfare that threatened to wipe out the artistic heritage of Europe. For twelve long years, the Nazis looted and destroyed art on a scale unprecedented in history. But young art professionals as well as ordinary heroes, from truck drivers to department store clerks, fought back with an extraordinary effort to safeguard, rescue and return the millions of lost, hidden and stolen treasures.

The Rape of Europa begins and ends with the story of artist Gustav Klimt’s famed Gold Portrait, stolen from Viennese Jews in 1938 and now the most expensive painting ever sold.

Today, more than sixty years later, the legacy of this tragic history continues to play out as families of looted collectors recover major works of art, conservators repair battle damage, and nations fight over the fate of ill-gotten spoils of war.

Joan Allen narrates this breathtaking chronicle about the battle over the very survival of centuries of western culture.

rape of europa adolf hitler
Admiring the booty


Looks and sounds like a disturbing but ultimately rewarding experience for anyone with a love of history and art, can’t wait.


Trailer for The Rape of Europa


Extended Trailer for The Rape of Europa
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Star Wars Renaissance Paintings

September 4th 2008 03:31
The Force was with us a Long, Long Time ago


Yoda star wars painting
Yoda regails the Nymphs

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The Pop Art of Dave Perillo

August 29th 2008 04:54
The Pop Art Style continues

david perillo posters
A Selection of David Perillo Posters - I love that Ramones one

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Boogie Woogie – The Art of Satire

August 27th 2008 07:43
Boogie Woogie Lands a cast of Excellence


Boogie Woogie film book
The Boogie Woogie Novel

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What is Art? An Animated Answer.

February 6th 2008 00:03
What is Art, the Animal Kingdom talks.


Creature Comforts what is art
Creature Comforts

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9 Great films about Artists

Basquait gary oldman
Some of the cast of Basquait

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Al Pacino is Salvador Dali?

October 18th 2007 00:05
Tony Montana becomes an "Arteest".

Al pacino Salvador dali
Strangely I see it working

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'Material Girls' is a silly disappointment

September 17th 2006 23:27
I'm a huge Hilary Duff fan. I ove the girl's look, music and usually her movies. I have to say though I was pretty underwhelmed by Hilary's latest offering 'Material Girls' in which she stars alongside her real life sister Haylie.

Here's the basic plotline: The Marchetta sisters Ava (Haylie Duff) and Tanzie (Hilary Duff) live the good life. They are heiresses to one of the most successful cosmetics companies, which since their father's death is run by their uncle Tommy Katzenbach (Brent Spiner). All they have to do is make an appearance here and there. After a television exposé about the company's night cream causing scarring and disfigurement, the girls' credit cards are frozen and cosmetics queen rival Fabielle (Angelica Huston) makes a take-over bid for the company. In a bid to clear the company name, Ava and Tanzie investigate the matter with the help of a legal aid worker (Lukas Haas) and Marchetta company chemist (Marcus Coloma).

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'Kanyini' is a film by a young white Australian filmmaker called Melanie Hogan about an Aboriginal elder, Bob Randall, who was born in the Central Desert near Uluru some seventy years ago. 'Kanyini' is Bob Randall's testament. As a writer, a poet and a teacher, he's well-practised in communicating an understanding of traditional Aboriginal culture to both indigenous and non-indigenous people.

Melanie Hogan had read his autobiography, Songman, and she requested a meeting with him. Their friendship grew and, eventually, they collaborated in creating this unique portrait, almost a snapshot, of the Aboriginal story since white invasion more than two-hundred years ago.

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I watched a damn weird film yesterday -Marco Ferreri's 'Tales of Ordinary Madness'. Basically, on his "journey through life," a Los Angeles-based poet encounters people of every description. These include nymphomaniacs, unstable teenagers, and prostitutes. Loosely based on the exploits of Charles Bukowski. Most reviews that I've come across really hate this film.

Bukowski, or Charles Serking, as he is called in the film, is an interesting character, with something to say about why he feels most comfortable living with the ones he calls the "real people": the demented, the abandoned, the impoverished, the defeated, and the damned. It would be interesting to establish why it means so much to him to be with these type of people rather than with other poets -perhaps it is a yearning for a sense of sincerity, that these people are somehow more 'real' than the often pretentious and performative artistic crowd. The film offers no answers to these questions and only provides a few outward details of the protagonist's life. However, there is something poetic in the fact that as the film ends the poet seems like a lost soul, drinking to forget; but, when sober, he is seen as someone who is desperately searching for his muse.

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'Footy Legends' (2006) Review.

July 30th 2006 23:09
I went and checked out the Aussie flick 'Footy Legends'. Here's what I thought:

Luc Vu (Anh Do) is an Asian-Australian who has grown up in the less than affluent Sydney suburb of Yagoona (incidentally, my first girlfriend lived in Yagoona so it’s a place I know a bit about). Luc has been out of work for nearly six months since the factory where he worked went bust. Every advertised job seems to require a degree or skill set Luc doesn’t possess, but he has still managed to eke out a decent existence for himself and his sister Anne (Lisa Saggers), to whom he has been guardian since their mother died. In his spare time, he gets together with his ragtag high school mates and throws the footy around.

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This film revolves around a family of fishermen on a small Sicilian island, Lampedusa, east of mainland Sicily in the present day, and as seen through the eyes of Pasquale, a highly sensitive teenager and Grazia, his mother, a young and whimsical woman, despised by the inhabitants of the island who are jealous of her beauty and her care-free ways. The majority of her fellow islanders think she is "over-the-top" and although he is embarrassed by her behaviour, Grazia’s son Pasquale does his best to buffer her against growing pressure by both the community and Grazia’s husband to have her hospitalised in Milan

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I just watched Rachel Lucas' 2004 film 'Bondi Tsunami' and seriously I don't really know what to make of it. At the level of plot, there's not a lot to explain. 'Bondi Tsunami' is a feature length road movie about the Japanese surfing subculture in Australia. The film is inspired by the young Japanese that come to Australia on working holiday visas, in search of "sun, surf and salvation", as the film's protagonist 'Shark' puts it.

The Shark is a young Japanese surfer, who lives and works as a chef in Bondi, amongst the bohemian Japanese surfing community. Yuto, the Shark's dare devil, hyperactive mate, arrives in Sydney from Tokyo and Shark picks him up from the airport in his vintage EK Holden station wagon, and the two friends embark on a what Japaneselifestylemagazine calls a "whitemans walkabout- a surfing safari up the east coast of Australia, to Surfers Paradise."

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My favourite western is probably Sam Peckinpah's 1973 film 'Pat Garrett and Billy the Kid', which stars Kris Kristoffersen as the Kid and James Coburn as Garrett, old friends who find themselves on different sides of the law. The film's plot charts Garrett's journey in search of the Kid; a physical journey, but also a journey that charts the destruction of his spirit and, at the same time, the spirit of the 'Old West'. As Garrett puts it resignedly "this country's growin' old, and I plan to grow old with it."
Maximilian Le Cain suggests, I thik rightly, that the film holds a place in the canon of American film making:

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