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World Art - by Craig Hill

Art show closed down with Accusations of Pedophilia

bill henson photo
Exhibit A


Bill Henson is one of Australia’s most respected photographic artists, his work has received prestigious recognition over the years. Last night in Sydney his latest exhibition opened to controversy and has been promptly closed down pending an investigation into accusations of child pornography.

Like filmmaker Larry Clark, Henson has always been fascinated with the coming of age, the limbo between adolescence and adulthood. Much of his work revolves around images of teens that attempt to study the nature of breaking into adulthood.

bill henson art
Artist Bill Henson with his work


The problem with this particular collection seems to the inclusion of nude images of girls 12 – 13. According to a report on monstersandcritics.com it is Hetty Johnston, executive director of child sexual assault action group Bravehearts that has insisted on closing down the exhibit.

“'It's child exploitation, it's criminal activity and it should be prosecuted,' Johnston told Australia's AAP news agency. 'They are clearly illegal child pornography images. It's not about art at all. It's a crime and I hope they are prosecuted.'

bill henson exhibit
Young love or something more sinister?


Australian Democrats leader Lyn Allison who instigated a Senate inquiry into the sexualisation of children in the media said “I think it is shocking and confronting, but I am torn on this. I have to say because I was an art teacher and I am very reluctant to want to censor what artists do and a lot of artists do want to be confronting, to raise issues, and in some ways, this does that.”

'Police have spoken to the photographer and gallery owners,' Superintendent Allan Sicard told reporters outside the gallery. 'As a result of this conversation, all parties have agreed the exhibition will be temporarily closed to allow further inquiries to be made.'

On the subject the artist himself says: 'Kids of this age, they seem to, as all those clichés go, be half in childhood and half in the adult world,' Henson told The Sydney Morning Herald. 'They're at a point where there is an exponential change, both psychologically and physically taking place, and this all kind of creates a floating world of expectation and uncertainty.'


Henson’s collections are often shocking and carry a moody atmosphere that elevates them to be defined as “art”. Whether or not he is innocent of exploiting his subjects is unclear, but he does always receive parental consent. The real problem lies more with the predators who will get sexual arousal from such frank images, but then these pedophiles also get the same thing from glossy magazine advertising anyway. Often publications and television sexualise under age children to hawk clothing, soft drinks and a myriad of other products.

Personally I am not offended by what I’ve seen of his work, challenged yes, but can certainly appreciate the concerns raised. There does seem to be an element of hypocrisy in the debate, aside from the aforementioned media’s sanctioned promotion of child pornography in commercials, the streets are filled with pre teen girls who flaunt there flesh with minimal clothing while accompanied by parents in shopping malls and other public places.

So in a way isn’t this just art reflecting society?


bill henson collection
Another of Henson's more honest images of teen sexuality
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The Body Treasured

Benefits Supervisor Sleeping lucian freud
Benefits Supervisor Sleeping


Proving again that art is like beauty “in the eye of the beholder” a picture titled “Benefits Supervisor Sleeping” has gone under the hammer at London’s famous Christie’s Auction house for the staggering sum of $33.6 million.

The work painted by British Artist Lucian Freud broke the record for the largest sum ever paid for a work by a living artist. Reported on CNN.com the painting depicts Sue Tilley, a civil servant manager sleeping on a tattered lounge.

lucian freud
Lucian Freud at work


From the CNN article:
“Christie's calls it a "bold and imposing example of the stark power of Lucian Freud's realism," depicting "the forceful and undeniable physical presence of people and things."

“The painting challenges modern notions of beauty and elicits a reaction from everyone who sees it. That may have been precisely the aim of Freud, who told London's Tate Gallery in 2002 that he wanted his paintings to "astonish, disturb, seduce, convince."

"It's the sort of thing that everyone immediately wants to voice an opinion about," he said of the painting. "It challenges conventional taste ... and people do find that rather exciting and interesting to talk about."

“Though some regard the painting as shocking -- ugly, even -- that is also the appeal for collectors, said Michael Hall, editor of Apollo Magazine in London.”

"There's a reaction against art that's regarded as too pretty," he said.


Lucian Freud self portrait
Lucian Freud Reflections - Self Portrait


Personally I see a tranquil poetry to the image, a relaxed outsider at ease in her skin. A woman comfortable in her own over sized body, the peaceful essence exuding the intended “beauty”.


A compilation of Britian's most respected living Artisan Lucian Freud

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Francesco Mai – Alien Sculptures

November 7th 2007 00:02
Francesco Mai – Alien Sculptures Exhibition Melbourne

Cruising around looking for what Art shows are on in Melbourne I stumbled upon this superb looking exhibition held at the Brunswick Street Gallery.

The artists name is Francesco Mai, an Italian digital photographer and sculpture who seems to be heavily influenced by the work of H.R Giger. Regular visitors will already be aware of my fascination and appreciation of this provocative visual stylist and the work of Mai seems an extension of his concepts.

The work of Francesco Mai features striking bold designs, beautifully rendered. The composition of the pieces is dominated by sensual lines and contours of distracting precision.

There is a gloss to the cosmetic veneer but lurking beneath is something more primitive, disturbingly industrial. Clashing with this artificial surface is an organic quality that triggers more primitive emotions and injects the work with a natural wonder.

Haunting and beautiful the aesthetics spiral and curve drawing the eye closer to the central meaning and purpose of the artist. There is a less horrific philosophy when compared to the work of Giger ensuring his images are unique and original, despite the obviously derivative influences.

Apologies, I wish I could display some of pictures of Mai’s work but they are all stringently copyrighted. Instead, I will insist that those interested in seeing more visit his homepage which includes a bounty of high resolution renderings.

You can see the art of Francesco Mai at francescomai.com or visit the brunswickstreetgallery.com.au
for further information on the exhibition
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