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World Art - by Craig Hill

Star Wars Renaissance Paintings

September 4th 2008 03:31
The Force was with us a Long, Long Time ago


Yoda star wars painting
Yoda regails the Nymphs


The 14th century renaissance period in Europe, so named because of its “rebirth” of artistic and intellectual expression was arguably the richest time in human history for art, religion and science.

Princess leia star wars statue art
The Venus De Leia?


A long time ago in a galaxy far far away, (Earth in 1977) a film called Star Wars came along and triggered a renaissance of its own. One that reignited cinema audiences appreciation of the classical 1930/40’s serials and adventure romps.

chewbacca star wars da vinci art
Da Vinci goes Wookie


Taking traditional mythologies and inserting them into a contemporary, lived in future opened many eyes to the possibility that a postmodern approach to the past was desirable.

general grievous star wars art
Grievous on the Throne


As with most successful ventures, the hand was eventually overplayed and illustrated by the disappointment that many feel for the continuation of the saga in the last decade.

darth vader art
Vader taller than Napoleon but the dark Side is strong


It seems logical then that the Photoshop competition site worth1000.com would embrace this renaissance idea with a call for gurus to create images that draw on George Lucas’ massively influential space opera. Images that draw on the philosophical revolution from centuries ago to reinvigorate its historical significance with a motif leaning towards cleansing the decaying quality of wasted opportunity into real world context.

stormtrooper star wars art
The horrors of a trooper facism


I have included just a few examples from the worth1000 site that I found pleasing, to view the complete body of entries into the competition please click HERE.


star wars art
Look closer and use the force
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Bahamas Landsat Satellite image
Is this a painting? A digitally rendered photograph? Is it worth a lot of money? Should I buy it?

Should I?

No, there's no need. This image is a satellite picture taken by the Landsat satellite, part of a dense collection of satellite images stored on gigantic servers somewhere in the dark places of the Earth.

Someone noticed that the images had the potential to be beautiful, like gigantic abstract paintings, rendering the Earth as the weirdest artist of them all. Give it a grant and a studio and let it get down to business.


30 of the best satellite images!


This image is actually of ocean sand dunes, coated in seaweed and carved by currents. From the original post:

"From afar, this could look like an abstract painting, however this spectacular satellite image is of the dunes of sand and seaweed, sculpted by the ocean currents. The fluted, underwater dunes are formed in much the same way as sand dunes in deserts."

These images are incredible, fermenting a desire to go see these strange places on the Earth. What would they look like up close, though? Would you really like to see the Bolivian deforestation?

Australians will be proud to see their own country represented on the list several times, including this ethereally haunting image of the Great Sandy desert:

Australia Great Sandy Scars satellite image


(found on Fazed)

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Position Art with Stavaros

June 22nd 2008 00:06
Stavros says


Stavros Position art
Position Art by Stavros


Stavros - “Position art has a unique position in art”

The website theworldismycanvas.com is the brainchild of Stavros, a living parody of the Artist as innovator. Showman, promoter and comedian, as a self fulfilling entity Stavros has coined his own discipline called position art.

Stavros - "I remember when I was younger I was much smaller”

stavros position art
Stavros leaves his footprints on art


Using a portable GPS unit as his brush and “The world as his canvas”, Stavros maps his trips and then walks along a calculated route in order to render an image on the globe.

Stavros artist
Stavros masters the art of sitting


Referring to himself in the third person, the royal we is in play as the footage below is hosted by the one and only visionary Stavros. Explaining the concept of position art the website itself too has much to offer and is worth a visit.

Meet Stavros – A tutorial


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Art show closed down with Accusations of Pedophilia

bill henson photo
Exhibit A


Bill Henson is one of Australia’s most respected photographic artists, his work has received prestigious recognition over the years. Last night in Sydney his latest exhibition opened to controversy and has been promptly closed down pending an investigation into accusations of child pornography.

Like filmmaker Larry Clark, Henson has always been fascinated with the coming of age, the limbo between adolescence and adulthood. Much of his work revolves around images of teens that attempt to study the nature of breaking into adulthood.

bill henson art
Artist Bill Henson with his work


The problem with this particular collection seems to the inclusion of nude images of girls 12 – 13. According to a report on monstersandcritics.com it is Hetty Johnston, executive director of child sexual assault action group Bravehearts that has insisted on closing down the exhibit.

“'It's child exploitation, it's criminal activity and it should be prosecuted,' Johnston told Australia's AAP news agency. 'They are clearly illegal child pornography images. It's not about art at all. It's a crime and I hope they are prosecuted.'

bill henson exhibit
Young love or something more sinister?


Australian Democrats leader Lyn Allison who instigated a Senate inquiry into the sexualisation of children in the media said “I think it is shocking and confronting, but I am torn on this. I have to say because I was an art teacher and I am very reluctant to want to censor what artists do and a lot of artists do want to be confronting, to raise issues, and in some ways, this does that.”

'Police have spoken to the photographer and gallery owners,' Superintendent Allan Sicard told reporters outside the gallery. 'As a result of this conversation, all parties have agreed the exhibition will be temporarily closed to allow further inquiries to be made.'

On the subject the artist himself says: 'Kids of this age, they seem to, as all those clichés go, be half in childhood and half in the adult world,' Henson told The Sydney Morning Herald. 'They're at a point where there is an exponential change, both psychologically and physically taking place, and this all kind of creates a floating world of expectation and uncertainty.'


Henson’s collections are often shocking and carry a moody atmosphere that elevates them to be defined as “art”. Whether or not he is innocent of exploiting his subjects is unclear, but he does always receive parental consent. The real problem lies more with the predators who will get sexual arousal from such frank images, but then these pedophiles also get the same thing from glossy magazine advertising anyway. Often publications and television sexualise under age children to hawk clothing, soft drinks and a myriad of other products.

Personally I am not offended by what I’ve seen of his work, challenged yes, but can certainly appreciate the concerns raised. There does seem to be an element of hypocrisy in the debate, aside from the aforementioned media’s sanctioned promotion of child pornography in commercials, the streets are filled with pre teen girls who flaunt there flesh with minimal clothing while accompanied by parents in shopping malls and other public places.

So in a way isn’t this just art reflecting society?


bill henson collection
Another of Henson's more honest images of teen sexuality
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Street performers are a different breed; they're artists, messing with your idea of a public space, taking art out of the gallery and slapping you in the face.

Johan Lorbeer is a Berlin street performer, and he composed this piece, called "Still Life", which consists of him just 'hangin' over a busy crowd in Berlin.

Found on DivineCaroline, including more pictures - and one that shows us how Lorbeer accomplishes this magical feat.

Johan Lorbeer hanging out in Berlin street performer


I never understood street performers... what did they get out of standing in one place? What is the message that they're trying to convey? What does Lorbeer think about, all day long?

Johan Lorbeer at the gallery hanging out
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The Body Treasured

Benefits Supervisor Sleeping lucian freud
Benefits Supervisor Sleeping


Proving again that art is like beauty “in the eye of the beholder” a picture titled “Benefits Supervisor Sleeping” has gone under the hammer at London’s famous Christie’s Auction house for the staggering sum of $33.6 million.

The work painted by British Artist Lucian Freud broke the record for the largest sum ever paid for a work by a living artist. Reported on CNN.com the painting depicts Sue Tilley, a civil servant manager sleeping on a tattered lounge.

lucian freud
Lucian Freud at work


From the CNN article:
“Christie's calls it a "bold and imposing example of the stark power of Lucian Freud's realism," depicting "the forceful and undeniable physical presence of people and things."

“The painting challenges modern notions of beauty and elicits a reaction from everyone who sees it. That may have been precisely the aim of Freud, who told London's Tate Gallery in 2002 that he wanted his paintings to "astonish, disturb, seduce, convince."

"It's the sort of thing that everyone immediately wants to voice an opinion about," he said of the painting. "It challenges conventional taste ... and people do find that rather exciting and interesting to talk about."

“Though some regard the painting as shocking -- ugly, even -- that is also the appeal for collectors, said Michael Hall, editor of Apollo Magazine in London.”

"There's a reaction against art that's regarded as too pretty," he said.


Lucian Freud self portrait
Lucian Freud Reflections - Self Portrait


Personally I see a tranquil poetry to the image, a relaxed outsider at ease in her skin. A woman comfortable in her own over sized body, the peaceful essence exuding the intended “beauty”.


A compilation of Britian's most respected living Artisan Lucian Freud

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CHAIRman Mao

April 11th 2008 10:14
Found on BoingBoing, this great sculpture/furniture piece that doubles as a chair and a grotesque mockery of a Chairman Mao-Jabba chimera.

Chairman Mao chair Jabba grotesque sculpture


It's from Gerald Scarfe, an artist that obviously wants his customers to feel embraced by the genius behind the Great Leap Forward and the Cultural Revolution.

When sitting in this chair, you might get a sudden inclination to quit your job and melt down all your doorknobs. Don't worry - that's a normal side effect.

Don't worry - he's made scathing sculptures of Thatcher and Nixon, too. Naturally, Nixon has the long, Pinocchio nose, but it still doesn't beat Dr. Thompson's treatment of the great liar.

"Richard Nixon is gone now and I am poorer for it. He was the real thing--a political monster straight out of Grendel and a very dangerous enemy. He could shake your hand and stab you in the back at the same time. He lied to his friends and betrayed the trust of his family...

...If the right people had been in charge of Nixon's funeral, his casket would have been launched into one of those open-sewage canals that empty into the ocean just south of Los Angeles. He was a swine of a man and a jabbering dupe of a president. Nixon was so crooked that he needed servants to help him screw his pants on every morning. Even his funeral was illegal. He was queer in the deepest way. His body should have been burned in a trash bin."

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There’s Something About Mona?

March 18th 2008 00:06
Stalking Mona Lisa


Mona Lisa
The lady in question?


The Mona Lisa is arguably the most recognised and famous painting in art history. Created by the equally mythical Leonardo Da Vinci the oil painting done on a canvas of poplar has been excessively obsessed upon like no other work.

Why has it triggered a timeless fascination with the public, critics and connoisseurs? Delivered to the world in the 16th century, what is it about this particular Italian Renaisance piece that has inspired this epic analysis?

Displayed in France’s Musée du Louvre in Paris under the title “Portrait of Lisa Gherardini, wife of Francesco del Giocondo.” As with many revolutionary creative expressions, the Mona Lisa was not recognised until centuries later in the mid 1800’s.

louvre gallery
The Louvre - A gallery of Treasures


Having seen the priceless jewel of creation first hand in the Louvre I can attest that it is not its physical size or majesty. Much smaller than you would expect the Mona Lisa is on a panel that measures 77 × 53 cm.

Undoubtedly moving, there is an element of spiritual awakening seing this important work face to face, which blossoms a yearning to examine it thoroughly. It doesn’t take long to notice the mood of mystery that beams from Mona’s face.

The much discussed smile, smirk, grin has been read numerous ways. Its aura interpreted into every form from malicious to malevolent. The eyes that follow you around the room, no matter the viewer’s position always sitting in judgement.

Then there is the choice of composition, a half portrait. Closer more intimate than the full anatomy in the frame. More removed that a zoomed in traditional portrait. The textured colours and shapes permeate an atmosphere of melancholy.

There are not enough hours in the day to examine every rich detail of this elegant image, I only hope my words inspire you to embark on further investigation.
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Henry Fuseli

February 20th 2008 03:29
Henry Fuseli

henry fuseli nightmares
Fuseli's famous Nightmares


Born in Switzerland in 1741 and dying 1825 Henry Fuseli is a classic gothic painter of the macabre with few equals.

From wikipedia:
“As a painter, Fuseli was daringly inventive, and always aspired to the highest forms of excellence. He favoured the supernatural, and pitched everything on an ideal scale, believing a certain amount of exaggeration necessary in the higher branches of historical painting….The violent and intemperate action which he often displays, in the conventional wisdom, destroys the grand effect of many of his pieces.”


henry fuseli adam and eve
Adam and Eve


Fluent in several languages he also gained respect for his writing on art. Forced to leave his native land after clashing with the bureaucratic injustices of the time he spent a lot of time in Germany and Britain.

I remember seeing Fuseli’s work as a child and being unnerved by it, now it is inspirational. There is a strong atmosphere of darkness that permeates even his more picturesque works, his surrealism of motion and attention to detail command an emotional response from the observer.

henry fuseli
Henry's world


Existing largely in the grotesque later in life, his early years were spent gaining a classical education and with a painter for a father seemed destined to create more traditional pieces.

Thriving on the horror of imagination and seldom drawing from real life Fuseli’s “adult fairytale” quality was underestimated in his lifetime. Though he did receive a measure of success few of his painting were exhibited and those that were only impressed those willing to embrace their unique nature.

henry fuseli silence
Silence


Looking at the stunning renderings now it is hard to imagine not being affected by their strength of will and metaphysical comments on the world in which we live. It is the innate beauty and sensuality of these disturbing subjects that forces me and may others to declare Fuseli a master.


henry fuseli
Henry Fuseli
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Movie Art.

February 16th 2008 00:03
Moving Pictures become stationary objects

gene tierney art
Gene Tierney


An artists muse comes from anything that inspires their creative passions of expression. In the classic era it was often the real world that ignited the imagination but now the media saturation of the last century has emerged with its’ own set of emotive imagery.

Imaginary friends justin read
Imaginary Friends by Justin Read


Treated with the same disdain as fantasy and comic art in some circles, paintings of cinema idols often fails to trigger an emotional response in anyone other than fans of the subject matter.

elvis presley andy warhol
Warhols Elvis from the movie Flaming Star


Defined as part of the pop art universe pioneered by Andy Warhol with his famous prints of Marilyn Monroe, Elvis Presley etc, the popularity of capturing screen gods on canvas in sketch and painting has grown ever since.

bullitt steve mcqueen art
A Warhol style image of Steve McQueen in Bullitt


A self confessed film lover myself, I admit that sometimes this medium can be lazy and merely an echo of what has already been processed in its original form on celluloid.

marla singer fight club art
Marla Singer in Fight Club


Along with professionals, the advent of online technology has allowed geeks globally to share their artistic interpretations of their favourite big screen characters.

cult movie art
Cult Characters


There generally seems to be two separate disciplines at work here, the fan inspired art which tends to be sci-fi/fantasy or cult orientated and classic silver screen legends of the past.

frank the bunny donnie darko art
Frank The Bunny from Donnie Darko


There are exceptions to every rule though, shown aptly in this beautiful rendering of Val Kilmer as Doc Holliday in the Gunfight at the Ok Corral western Tombstone.

Tombstone val kilmer art
Val Kilmer in Tombstone


Sadly I didn’t have much time to source images today so there is still an avalanche of fine examples available to be found for those interested. I do hope that this brief selection at least illustrates the aesthetic quality that elevates movie art beyond a hobby into the realm of artistic merit.


boulevard of broken dreams
The popular Boulevard of Broken Dreams
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The Skeletons of Cartoon Characters

February 5th 2008 09:01
The skeleton of Bugs Bunny
Hyungkoo Lee is a Korean artist that is shaking the web with his spectacular sculpture pieces... these pieces are perfect for the Internet population, mostly 30-year-old men with eternal childlike glee.

The picture above is of Bugs Bunny... well, his skeleton.

Incredible! Lee created fake skeletons for several of Walt Disney's and Warner Bros' most popular characters!

I can't get enough, though my favourite would have to be the skeletons of Donald Duck's three nephews:

Donald Duck's three nephews skeletons


Why stop here? I hope Lee continues on this project, giving us Foghorn Leghorn, Elmer Fudd and Daffy Duck.

Then go on to GI Joe, Transformers and Ninja Turtles. We could have anatomical constructs of all our favourite characters... I don't know why this is important, but it seems like an archive of information that could prove useful for old men, looking back on their forgotten childhood.

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Art in blood.

February 2nd 2008 05:29
Jordan Eagles

jordan eagles
Jordan Eagles let's the blood run free


Art has always had a broad meaning, often it is a subjective point of view formed from life experience and learning that defines the individual perception of…what is art.

Broader still is the means of expression, tools and mediums employed to optimize an artists own creative expression. Proof positive of this is the challenging dye chosen to decorate the canvases of New York based artist Jordan Eagles.

Jordan Eagles
Jordan Eagles at work


Painted in animal blood for its unique texture, reflective qualities and overall composition, Jordan Eagles has naturally sparked a flow of controversy ever since his first started nearly a decade ago.
“The curves and flows, created with blood allow the sleek and smooth synthetic elements to exist in harmony with the organic” – Quote from Jordaneagles.com

jordan eagles blood art
Open for discussion



An exhibition of his latest creations is currently on display at the Mark Wolfe Contemporary Art Gallery in San Francisco. A report on mmdnewswire.com says that the lead up to the show met with a lot of opposition. According to the site the concept is to “explore themes of regeneration and the physical and intangible connections between body, spirit and nature.”

In 2006 the Village voice said "As seemingly ghoulish as the impulse appears on paper, in person, Eagles and his work are anything but macabre… Light reflects off its smooth, hard surface, but it also penetrates the work's interior, bouncing through resin and pigment before spilling out again," (From jordaneagles.com press page)

jordan eagles phase 1 and 2
Phas 1 & 2


Personally I am opposed to accepting the realities of mass wild stock slaughter but feel it’s positive to use all bi-products of inevitable killing for food. Despite what I may feel about the use of animal blood as paint it is impossible for me to deny the aesthetic allure of Eagles work.

The striking colours and arcing patterns draw the eye and have a texture that makes me believe a digital image is no comparison to seeing the paintings first hand. Sad that the display may never reach Australian shores for me to find out.


jordan eagles splatter
Splat
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Australia Day Collection

January 26th 2008 04:43
Great Australian Artists

Here on the bottom of the globe it’s Australia Day, a day of national celebration. So forgive me the brief post, (read short) but I felt it was appropriate to share a few noted Australian Artists whose work I appreciate. I tried to hurriedly find a visual sample of each too.

Hope your all having a great day no matter where you are in this big wide wonderful world.


John Glover
John Glover
John Glover


Brett Whitely
Brett Whitley
Brett Whitley


Julia Rrapp
Julie Rrap
Julie Rrap


Robert Dowling
Robert Dowling
Robert Dowling


Roland Wheelwright
roland wheelwright
Roland Wheelwright


Charles Bryant
charles bryant
Charles Bryant


Emma Minnie Boyd
emma minnie boyd
Emma Minnie Boyd


Sidney Nolan
sidney nolan
Sidney Nolan's Minefields


Clarice Beckett
clarice beckett
Clarice Beckett


Norman Lindsay
norman lindsay
Norman Lindsay


Matt Coyle

[
Matt Coyle
Matt Coyle
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Tim Fort’s Kinetic Art

January 18th 2008 03:18
Tim Fort’s Kinetic Art

Kinetic Art Tim fort
Tim Fort's Kinetic Art


It seems that many readers are garnering the same sort of wonder I am out of spotlighting out-of-the-box contemporary art. Your responses to obtuse mediums like Sand Art, Nail Art, the Groovin Artist and Ice Sculpture have been very encouraging. Thank You.

In the same vein I have just discovered an artisan by the name of Tim Fort who specialises in what he calls “Kinetic Art”. Now at a glance this may just look like the age old dominos routine, but look closer. Sure there is all the precision, coordination and limitless patience that goes into tumbling rectangular dice but also something more.

tim fort kinetic art
Try this at home, I dare you


Quoting Tim’s own site, lunatim.com he describes his medium as:
“To the uninitiated, my kinetic gadgets are gnarly chain-reaction devices that collapse and explode in, like, really cool ways; to the discerning aesthete, they're entropy-generating entities designed to confront the observer and challenge their paradigms for processing reductivistic-mechanistic Weltanschauungen from a post-modernistic perspective.”

There is a beauty watching this cleverly edited and highly inventive collapse of objects that employs a myriad of chain reaction techniques.

tim fort kinetic art
harder than it looks


The clip below is a great example of Tim Fort’s work and though it may not delve deep into the psyche to express something about the universal experiences of humanity it is aesthetically rivetting.

If you are interested I highly recommend checking out Lunatim.com for more information. Amongst other attractions his goal of building a digital computer out of popsicle sticks is downright inspirational.


Marvel at Tim Fort's Kinetic Art
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Nail Art

January 11th 2008 02:09
Hammer Splendour

Nail art
The Process begins


No I’m not talking about painting fingernails in exquisite fashions, decorating digits with bright colours. Instead this is a brand new application for the essential carpentry
tool. Usually employed to join timber in construction, this group of inventive and patient artisans have found an alternate application, all together more pleasing to the eye.


nail art 2
Slow and steady


There is something compelling about looking at the process and care taken to achieve a conversion of raw materials into an emotive art work. Constructed on a large canvas of wood, the nails are driven in strategic positions, manipulated to achieve illustration. Demanding several workers, their muse, the famous Da Vinci self portrait, comes to life with an alternate essence to the original.

nail art 4
Hammering away


It is easy to see that this relatively new medium demands precision and a degree of ingenuity to achieve tone and depth. Looking at the finished product, all the hours of intensive labour are confirm the sacrifice.

nail art 5
Surveying the progress


Sadly a search of the internet revealed no more information about these images that a friend sent me. Impressive enough that it didn’t stop me sharing it with all you eager fans of artistic expression. Even without specifics, I hope you marvel.

nail art 6
That looks right


nail art 7
Time for a set square and ruler


nail art 8
Revealing itself


nail art 9
A worthy conclusion
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Eyescapes by Rankin

December 27th 2007 23:18
Dazed and Confused founder Rankin has started a project called Eyescapes, taking photos of irises without eyeballs.

It's hauntingly beautiful:

Eyescapes by Rankin irises


Check out his page, then scroll across with the horizontal bar.

The exhibition is showing at The Gallery in London's Charing Cross.

(found on BoingBoing)
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The Groovin Artist

December 18th 2007 00:12
Painting to Dance

I’m on a bit of a performance art kick at the moment and foraging through you tube footage I stumbled upon this delight.

This is urban visual art to a distinct beat, expressing a creative soul. What may just look like some guy in street ware prancing around like a show horse reveals itself to be more. There is a grand design to the piece, a twist of perception that like the sand art previewed a few weeks ago is fluid in execution and the pleasure is found in the journey of style.

Set in an atmosphere of nightclub lights and throbbing rhythm a lone painter bops his way around the stage splashing white onto a spotlight canvas. Administering the material with a seemingly casual aplomb, gradually a picture begins to emerge.

There is distinct street culture ingenuity to the act. You can tell that it would entertain in on a crowded New York street just as aptly as onstage.

Sadly I couldn’t find out any information about the artist or even an official name for this merging of disciplines. The lack of more details is vexing. I have asked for more information from the youtube author and if I get it then rest assured I will share it.

Here is the dancing artist and his work…a word of advice, make sure you watch till the very end.
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Manet's A Bar at the Folies-Bergere

November 14th 2007 22:53
Edouard Manet (1832-1883) was a French painter who composed some of the most incredible Impressionist paintings in history.

He drew some controversy over the suspected sexual tone of his paintings, but he quickly became recognized as a painter of some significance.

Manet's A Bar at the Folies Bergere


A Bar at the Folies-Bergere

This painting is probably the most recognizable from Manet's work, and it was the last major painting before his death in 1883. It's a scene from the Folies-Bergere nightclub in Paris, looking at a less-than-receptive barmaid. The second woman was assumed to be a poor reflection of the barmaid, but it's not clear.

This work has often been imitated and parodied by other artists, including a black version in Coming to America with Eddie Murphy.

This work was criticized when it came out, but I've always liked it for the stark reality of what it portrays. Instead of patrons gleefully enjoying their drinks and show, the barmaid looks like she'd rather be anywhere else, especially since she's not thrilled to serve Manet.

More images of Manet's work are available on Wikipedia



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Francesco Mai – Alien Sculptures

November 7th 2007 00:02
Francesco Mai – Alien Sculptures Exhibition Melbourne

Cruising around looking for what Art shows are on in Melbourne I stumbled upon this superb looking exhibition held at the Brunswick Street Gallery.

The artists name is Francesco Mai, an Italian digital photographer and sculpture who seems to be heavily influenced by the work of H.R Giger. Regular visitors will already be aware of my fascination and appreciation of this provocative visual stylist and the work of Mai seems an extension of his concepts.

The work of Francesco Mai features striking bold designs, beautifully rendered. The composition of the pieces is dominated by sensual lines and contours of distracting precision.

There is a gloss to the cosmetic veneer but lurking beneath is something more primitive, disturbingly industrial. Clashing with this artificial surface is an organic quality that triggers more primitive emotions and injects the work with a natural wonder.

Haunting and beautiful the aesthetics spiral and curve drawing the eye closer to the central meaning and purpose of the artist. There is a less horrific philosophy when compared to the work of Giger ensuring his images are unique and original, despite the obviously derivative influences.

Apologies, I wish I could display some of pictures of Mai’s work but they are all stringently copyrighted. Instead, I will insist that those interested in seeing more visit his homepage which includes a bounty of high resolution renderings.

You can see the art of Francesco Mai at francescomai.com or visit the brunswickstreetgallery.com.au
for further information on the exhibition
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Fantasy Art

October 21st 2007 01:15
Fantasy Art


fantasy art centaur
The Centaur


Often disrespected in artistic circles is the fantasy artist. Conjuring visions of imaginary fiction splashed with abrupt colours or grim noir tones. The work often transports the willing audience into their own minds eye of adventurous, dangerous and deadly wonders.

Fantasy Art
A mutation of nature or beauty?


A contemporary face to the classic painting of ancient mythology there is an undeniable surreal pop element to its influences. Magical, supernatural and sci-fi themes dominate the subject matter.

Often inspired by existing literary stories that were birthed in books, comics or films the artists are of fans of. Designed to evoke a response there is a raw sexuality to strong females and heroic muscular men. Fairies appear alongside natural splendour, goblins and trolls lurk below dark bridges.

Fantasy Art Gollum
Blood Druid


Beautiful Unicorns, powerful dragons, regal knights and mutated monsters fill a frame. Mermaids dance in the waves and underwater paradises, there can be something idyllic in certain images, frightening in others.

Fantasy unicorn
Two artists capture a unicorn


Fair maidens in peril rescued by the brave and daring, these pictures sometimes tell a story of inspiration or horror.

Fantasy Art maiden
A more traditional image


The digital age has caused an explosion of new ideas and fresh renderings. The work can now be rendered in 3 dimensions adding sheen previously unseen in any other genre.

3d fantasy art
Precise and complex 3D


Manipulating pixels and moulding shapes to result in richly detailed, splendid and provocative works. A new era of creation as the tools used to paint these shots increase in accuracy and depth.

Computer programs have replaced the easel and brush but this doesn’t mean that the final product is any less “artistic” than those painted centuries ago. Taking patience and a steady hand, there seems to be prejudice due to the ease of which a mistake can be erased.

Fantasy Art
Improbability Drive


I personally find quality fantasy art in all its forms old and new, fabulously inspirational. Accessible thanks to the internet this is a style of drawings that can be readily expressed by amateurs and professionals and continues to grow faster than most alternate disciplines.


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Qatar Foundation’s Sidra Medical and Research Centre revealed plans to combine cutting edge technology with an incandescent design to become the first academic medical and research centre in the region and will provide the highest standards of healthcare. The Sidra design is the creation of Pelli Clarke Pelli and the project’s executive architectural firm Ellerbe Becket. Both firms have created healthcare facilities around the world.

Sidra use a modern structure of steel, glass and white ceramic tile to achieve a dramatic design and landscaping includes three atriums that serve as indoor healing gardens – a unique feature that all patients will be able to view from their luxury rooms. The atriums divide the facility into three “hospitals within a hospital” – one for children, one for women and one for adults. To symbolize the importance of both tradition and progress the historic house will be preserved. Anticipated to open in late 2010, $7.9 billion has been endowed to the medical and research centre, the largest endowment of a medical centre anywhere in the world.



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The First Street Gallery announces an exhibition of new work by Penny Kronengold which will open on Tuesday, March 27 and continue through Saturday, April 21. In this exhibition Kronengold returns to the figure of the horse. Her interest was renewed after coming upon the glass-encased horses and figures of the Hindu Gate, and unusual installation of 17th- and 19th- century Indian sculptures in the Museum of Natural History. The Central Park carousel and the armored horses in the Metropolitan Museum struck a similar chord. Many months of drawing proceeded the paintings.

Writings in The New York Sun and artcritical.com, David Cohen has noted that Kronengold's 'formal concerns amount to an almost alchemical duality of solid and transparent, mass, and fluidity. She draws extensively from lifeÖthen improvises with abandon at the easel. The result is an animated dialogue, at times, actually, a collision of intense drawing and ecstatic color.'
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Located in the quickly gentrifying neighborhood of Harlem New York, the Kalahari Condominium Project, designed by Fred Schwartz with GF55 as executive architect and Jack Travis as cultural design consultant, is a new upscale residential complex that pays tribute to the Harlem of old and to African cultural in its name and styling. The 475,000 12-storey complex, which is named after the Kalahari Desert, will house a 50:50 ratio of 120 affordable and 120 market rate family sized units, an African American Film Center, Street Squash (a community facility), a restaurant and commercial space.

The interiors of the units will be upscale and modern while the public facades of the building and its private courtyards will derive their inspiration from the rich decorative traditions of Africa. The building, which is a candidate for LEED certification, is expected to cost $119 million dollar. The project is set to open in December 2007.

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This is a tower designed by Duane Siegrist MAIBC MRAIC of Integra Architecture Inc. Vancouver, British Columbia Canada in conjunction with Integra Architecture-China office for clients Youlan Zhiye Ltd. that is to be located centrally Xiangluo Wan Commercial area in Tainjin, China adjacent to a river and bridge.

It is a landmark building that functions as a conference centre. Office / Hotel residences that is visible up and down the riverfront. The building form has strong forms from all sides to provide visual interest. The construction materials used are comprised of glass, metal panel, and concrete. Construction is anticipated to start early next year.

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Laura Spector Rustic Designs

February 28th 2007 23:00
Is this cool? An exotic furniture folly with an ecological backbone and a heart full of whimsy is the spirit behind this Balinese Temple chair with yellow umbrella. These beckoning seaters are made from tree trimming scraps that would otherwise be waste materials.

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The City of Jersey City, The Athena Group and BLDG Management Co., Inc. announced today that the Office for Metropolitan Architecture (OMA) has been commissioned to design a mix use development in Jersey City’s burgeoning waterfront development, at 111 First Street.

The 1.2 million SF development’s mix of program of condominiums, public amenities and hotel, artist work & live studios, gallery, retail and parking will act as a beacon for the future development of the area into Jersey City’s arts district. Each component of the program is concentrated into individual blocks: a cube of artist work & live studios and galleries, a slab that combines hotel rooms and apartments, and a wider slab that accommodates deeper apartments. The resulting volumes are stacked perpendicularly in plan to create a 52 storey tower.

This stacking maintains the independence of each block optimizes potential views from the site and creates a dynamic relationship between the building and its surroundings: a spectacle from convention. Alternating the orientation of each block creates a series of open spaces at their junctions: the 111 First Street Public Terrace on the 5th Floor, terraces for the hotel restaurant and spa on the17th Floor and two shared residential terraces on the 36th Floor.

Adjacent to each terrace is a public space that activates it during the day (gallery, spa, gym, pool, restaurant) and night (cabaret, bar, restaurant, residential lounge). With direct street access, the 111 First Street Public Terrace will become a virtual link between the planned Powerhouse Entertainment Center and the Sculpture Garden north of the site. The vertical and horizontal density of public activity generated will energize the surrounding area to become a cultural hub for Jersey City.

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The U-Bora Tower Complex is a mixed-use development located in the heart of Business Bay. The design has given equal attention to its three different uses - office, residential and retail, in order to maximize their opportunities and viabilities within the site's context.

The 250 meter high U-Bora Office Tower is located prominantly on the main axis. It was designed as an anchor on the axis and within its own development. Along with the 462 meter Burj Alam, located across the street of this main axis, the two towers work together and act as a gateway into the development. In addition, the project weights the office space toward the top by starting with smaller 1,100m˛ floors at the bottom and slowly increasing toward the top 2,000m˛ floors.

This maximizes prime view space by containing 70% of the office towers 80,000m˛, in the top half of the office tower. The 30,000m˛ residential block deliberately does not compete with the surrounding towers in height and instead keeps low and focused to the adjacent water body to the south. By designing the block as a linear bar rising from 12 stories at the tower end to 15 stories at the western end a significantly greater percentage of units get an uninterrupted view of the water. The third component of the project, although relatively small in area, is 7,000m˛ of retail. All three components are glued together with a 10,000m˛ public, densely landscaped deck which has accessibility from all three exposed sides of the project.


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Small works answer the urban landscape

February 20th 2007 23:00
"Make no little plans; they have no magic to stir men's blood," the great city builder Daniel H. Burnham famously advised. No offense to Burnham, but little plans in the right hands can be soul-stirring. Even the most modest building, when it is the product of inspired design, can raise the bar for everything that comes after it. And by thinking small, architects and their clients often have more leeway to invest in design nuances and high-quality materials. Tiny, jewel-like projects also help to heal wounds in the urban fabric and create a distinctive sense of place in cities and suburbs alike. "Small size lets you have more control," says Sebastian Schmaling of Johnsen Schmaling Architects, one of the city's most innovative young firms. "We're interested in materiality, in details, in the tactile qualities of a building, all the way down to the last screw head -- the way you experience it at the pedestrian level. And you can't always do that with a tall office building."

Schmaling's practice, which has earned national recognition, has several projects in the pipeline that showcase the advantages of the small-is-beautiful approach. One, planned for S. 76th St. and W. Layton Ave. in Greenfield, is a sculpture garden commissioned by Karl Kopp, the design-conscious owner of adjacent Kopp's Custard. In collaboration with Phoenix artist Janis Leonard, the architects plan to install a 32-foot-square glass cube and other sculptural objects inside a thick grove of winter-hardy bamboo and light the site at night. The idea is to create a lantern-like presence and contemplative buffer along a busy commercial street. The same firm has designed a custom-fabricated glass storefront system that will soon be installed at the former Coffee Trader building on N. Downer Ave. The shifting vertical panes will be held in place by stainless steel tracks, creating what Schmaling calls "an almost immaterial enclosure," absent the usual clutter of framing. There's another east side gem in the works, at N. Farwell Ave. and E. Greenwich Ave.: a glassy box of Miesian simplicity designed by David Lang, a rising star at Hammel, Green and Abrahamson, for a small dental practice.

With its rigorous geometry and shimmering transparency, the street-hugging building would be exactly the kind of place maker that this jumbled entry point to the North Ave. business district cries out for. I hope that neighbors who object to the zoning change it requires will keep their eyes on the prize here: memorable architecture that can enrich the urban experience. Nick Cascarano of Arquitectura, a small firm in Shorewood, has designed what may be the metro area's most stunning gas station, a gateway to Greenfield now under construction at S. 124th St. and W. Layton Ave. With its curvy canopy, glassy tower and crisp, wooden trusses, the BP station puts its off-the-shelf competitors to shame. (Another Cascarano winner, his own minimalist, high-style home in Glendale, is featured on HGTV today at noon.) Scott Kindness of Workshop Architects transformed a tiny space at N. Water St. and E. Humboldt Ave. with a charismatic building that houses Good Life, a Caribbean eatery and bar. In its attention to detail, from the curved roof and tree-branch trusses to the reddish wood trim and glass curtain walls, here is modernism at its most inviting. A bonus: The project incorporates a restored former municipal building next door, showing how preservation and new development can peacefully co-exist. Finally, there's a new Actaea Works spa and salon at 2173 S. Kinnickinnic Ave., designed by Continuum Architects Planners' Dan Beyer. It's an add-on to an older building, and it uses economical materials. But with its upswept roofs, tall windows and south-facing courtyard, the slender newcomer adds an unusually welcoming spot to this rejuvenating area.

The fun part is watching how such thoughtful little projects can become contagious. As Beyer notes, with a nod to Malcolm Gladwell, "While I am not sure that I would go so far as to say that these projects can become the tipping point that makes good, sustainable design a social epidemic (wouldn't that be wonderful?), I do believe that they can and do have a ripple effect that goes beyond the property lines of the site." Source: Milwaukee Journal Sentinel
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Plans have just been unveiled for a new home for the Museum of African Art in New York City. Designed by Robert A.M Stern, the new museum, which is to be located on 5th Avenue at the edge of Harlem twenty blocks South of the Guggenheim, will provide permanent quarters for this successful institution, which has operated out of temporary spaces for the past 22 years.

The museum will be housed in the lower levels of a 19-storey luxury residential tower and will provide 92,000 square feet on three floors above grade and two below. Key features of the design are a dramatic two-storey lobby at entry with a wall made of etimoe wood from Ghana that curves upward to form the ceiling. On the exterior the museum will have trapezoidal windows with bronze-painted mullions that will rise the full height of the building. The museum, which is to be completed in 2009, is estimated to cost $80million.

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BOTTANICAL SPA: Tschuggen Bergoase spa

February 15th 2007 10:23
The Tschuggen Bergoase spa, nestled in the mountains near St. Moritz, Switzerland, takes on a cathedral-like quality.

It was designed by Swiss architect Mario Botta who is renowned for his museums and sacred spaces. In contrast to the neighboring Tschuggen Hotel, the spa wears a sleek, timeless design that signals a shift into an interior space of natural quiet.

Inside the spa, the light, open space encourages quiet and reflection. Entering becomes a metaphor for taking steps inside oneself and proffers an opportunity for cherishing rare moments of meditative calm, much like one might find in a temple.


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From that amazing city Dubai. Nakheel invited architects to make a concept master plan design for Palm Jebel Ali, just off the coast of Dubai. The winning design submitted by Royal Haskoning and D103 International consists of a surface area of 300,000m˛ to be used for sports activities, residential housing, a retail sector, and office buildings. In addition, public parks, marinas and an iconic bridge were part of the design brief.

The winning design is a joint effort between Royal Haskoning’s design teams in Bangkok, Amsterdam and Dubai. Royal Haskoning has been working on various projects in the United Arab Emirates, including Palm Jebel Ali, Palm Jumeirah and The World Island, since 2000. Other activities, such as spatial development, environment, maritime, infrastructure, structural engineering and building services projects are foreseen in the very near future. Royal Haskoning’s activities in Dubai and the Middle East are co-ordinated from the company’s office in Dubai.
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Nakheel invited architects to make a concept master plan design for Palm Jebel Ali, just off the coast of Dubai. The winning design submitted by Royal Haskoning and D103 International consists of a surface area of 300,000m˛ to be used for sports activities, residential housing, a retail sector, and office buildings. In addition, public parks, marinas and an iconic bridge were part of the design brief. The winning design is a joint effort between Royal Haskoning’s design teams in Bangkok, Amsterdam and Dubai. Royal Haskoning has been working on various projects in the United Arab Emirates, including Palm Jebel Ali, Palm Jumeirah and The World Island, since 2000. Other activities, such as spatial development, environment, maritime, infrastructure, structural engineering and building services projects are foreseen in the very near future. Royal Haskoning’s activities in Dubai and the Middle East are co-ordinated from the company’s office in Dubai.
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DUBLIN's Clarence Hotel is an upscale establishment that is about to undergo a 21st century renovation. The Clarence is being redeveloped by the project's owners, U2's Bono and the Edge, to be one of the "most spectacular hotels in Europe". The project, which is being designed by Foster and Partners, is estimated to cost 150 million euros. The new hotel will have 114 rooms, 14 suites and a world-class spa.

Andy Bow, a senior partner at Foster's practice described the hotel in the Irish Times as being organised around a "skycatcher atrium" that would rise from the basement level to the roof. A reflective canopy is to cover the structure. Norman Foster described the Clarence in the Irish press as "an ambitious project" that will create "a bold new addition to Dublin's skyline

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An Atkins Bahrain project, the Al Sharq office complex, has been short listed for the 2007 MIPIM Architectural Review Future Projects Award - Offices category. The 180m tower will cover an area of 56,400sq.m. Commissioned by Al Mar & Aqar, the complex combines work and leisure, internal and outside spaces, and offers a variety of scenarios for business within a sustainable and environmentally responsible design. Hovering above a glass fronted entrance is a podium with a sky garden food court. Office spaces are hung from a pairing of parallel blades topped at roof level with a gym, spa, health club and pool. Floating above this pool deck is a suspended high-panoramic views. Solar panel cladding contributes to the green building’s energy needs while the foliage camouflage provides office workers a place to step outside and recharge.

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TIMES are changing in Spain with one of Barcelona's most famous bullrings, the iconic Arenas de Barcelona, set to be converted into a luxury retail complex by British architecture firm Richard Rogers Partnership.

Despite local opposition to the plan, the historic structure, which opened in 1898 but has sat disused since 1990 due to the declining popularity of bull fighting in Catalonia, will house approximately 45 000 square metres of mixed retail, commercial and leisure areas as well as a 1200 square metre underground car park. In a homage to Spain's rich cultural past, Rogers plans to retain the bullring's exterior fabric - its famed brick façade - while overhauling the interior to include stainless steel staircases, glass lifts, and steel towers.
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Thom Mayne: Architect for La Defense

January 16th 2007 00:41
A Thom Mayne design will form the centerpiece of an attempt by French authorities to revitalise La Defense, the unpopular commercial district on the western outskirts of Paris. Most well-known for the brawny Caltrans District 7 Headquarters in Los Angeles, Mayne beat out some of the hottest architects in the world for the job to design what will be the tallest office tower in France.

Controversially, Mayne’s “Phare Tower” is to be entirely covered by a diaphanous skin constructed from perforated stainless steel, an unusual feature that the American architect and provocateur described as an attempt to soften the brutal cityscape of the area while evoking the romantic spirit of Paris. “The sensuousness of Paris found its way into the project,” Mayne said, likening the design to a woman’s “layered dress or slip”.

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Neue Galerie cofounder, and chairman emeritus of the Museum of Modern Art, recently shelled out a reported $135 million for Gustav Klimt’s Portrait of Adele Bloch-Bauer I (1907) last June. Many observers were shocked not only by the amount paid—one of the highest known prices for a single painting to date—but also by the name of the artist it was paid for.

So why is Klimt so hot at the moment. The answer involves a mix of factors, including the painting’s extraordinary provenance and recent history, Lauder’s passion for and pursuit of this particular work, and the soaring demand for German and Austrian Expressionism, along with the explosive growth of the broader art market. Read more here
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Neue Galerie cofounder, and chairman emeritus of the Museum of Modern Art, recently shelled out a reported $135 million for Gustav Klimt’s Portrait of Adele Bloch-Bauer I (1907) last June. Many observers were shocked not only by the amount paid—one of the highest known prices for a single painting to date—but also by the name of the artist it was paid for.

So why is Klimt so hot at the moment. The answer involves a mix of factors, including the painting’s extraordinary provenance and recent history, Lauder’s passion for and pursuit of this particular work, and the soaring demand for German and Austrian Expressionism, along with the explosive growth of the broader art market. Read more here
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Maurizio Cattelan: more shocking images

December 29th 2006 23:41
I recently covered how Italian artist Maurizio Cattelan caused a stir in Milan where he has created a work depicting three children hanging from a tree. You can see the image by clicking here.

The life-sized dummies angered Milanese residents so much that one resident, Franco Di Benedetto climbed the tree and cut the dummies down, concussing himself in the process. Local residents had grown increasingly angry about the work, one resident, Alessandra Pieroni, commenting:

"Even if it's for a good reason, I find it frightening, especially for a child or sensitive person."
The artist commented of the vandalism:

"The work itself is a commentary on violence, so it's a bit ironic if not depressing if it comes down because of an act of violence."

The self-taught Cattelan has hit the headlines in the past with confrontational artworks such as him, 2001, which portrays a miniture-sized Hitler, seemingly in peaceful prayer.

Maruizio Cattelan's him, 2001 shows a miniature Hitler in pray; installation at faergfabriken, Center for Contemporary Art and Architecture, Stockholm
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Neil Maizels: Australian avant- garde

October 30th 2006 22:47
Hailing from Melbourne, Neil Maizels has a new portfolio of work that he has just released. He attaches this epigram -

"Welcome to neil maizels's Portfolio. Browse neil maizels's body of work:
The strangest thing is that a painting is no more about the visual
than is a telegram about the messenger on a bicycle who delivers it."


Uluru


messianic blood cells


Glowing Night
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M.C Escher: Impossible Scenes

September 20th 2006 23:53
Maurits Cornelis (M.C.) Escher was born on June 17, 1898, in the province of Friesland, Holland. He took up art in 1919, and became famous in the 1940s and 1950s for his novel tesselations of the plane and realistic depictions of impossible scenes and infinite vistas. He lived all of his life in Europe, and died in Hilversum, Holland in 1972.

Escher's first print of an impossible reality was Still Life with Street, 1936. His artistic expression was created from images in his mind, rather than directly from observations and travels to other countries. Well known examples of his work also include Drawing Hands, a work in which two hands are shown, each drawing the other; Sky and Water, in which light plays on shadow to morph fish in water into birds in the sky; Ascending and Descending, in which lines of people ascend and descend stairs in an infinite loop, on a construction which is impossible to build and possible to draw only by taking advantage of quirks of perception and perspective.

He worked primarily in the media of lithographs and woodcuts. In his graphic art, he portrayed mathematical relationships among shapes, figures and space. Additionally, he explored interlocking figures using black and white to enhance different dimensions. Integrated into his prints were mirror images of cones, spheres, cubes, rings, and spirals.

In addition to sketching landscape and nature in his early years, he also sketched insects, which frequently appeared in his later work. His first artistic work was completed in 1922, which featured eight human heads divided in different planes. Later in about 1924, he lost interest in "regular division" of planes, and turned to sketching landscapes in Italy with irregular perspectives that are impossible in natural form.
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Heads up to all western fans. I'm reading a really great book at the moment that's just been released by a subsidiary of Penguin and which will surely whet the appetite of those who love to read tales about the Old West. It's a compilation of Elmore Leonard's western stories called predictably 'The Complete Western Stories'.

The book's structured chronologically so that it starts with the first piece that Leonard got published in 1952 'Trail of The Apache' and finishes with the last western story that he wrote before turning to the the crime genre. For those who love the genre and would like to read a true master of it I highly recommend this book. Also, for those who are new to the genre or enjoy reading short stories there is no better linguistic or narrative craftsman than Leonard. The book is available to purchase here.
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More on the Young British Artists

August 22nd 2006 23:31
I'm pretty into the prgressive YBAs who came out of Britain in the late 1980s, a time in which British art entered what was quickly recognised as a new and excitingly distinctive phase, the era of what became known as the YBAs - the Young British Artists. Young British Art can be seen to have a convenient starting point in the exhibition Freeze organised, while he was still a student at Goldsmiths College in London in 1988, by Damien Hirst, who became the most celebrated, or notorious, of the YBAs. Goldsmiths, which was attended by many of the YBAs, and numbered Michael Craig Martin among its most influential teachers, had been for some years fostering new forms of creativity through its courses that, for example, abolished the traditional separation of the media of art.
Damien Hirst Pharmacy 1992

The label YBA turned out to be a powerful brand and marketing tool, but of course it concealed huge diversity. Nevertheless certain broad trends both formal and thematic can be discerned. Formally, the era is marked by a complete openness towards the materials and processes with which art can be made and the form that it can take.
Tracey Emin The Last Thing I Said to You was Don't Leave Me Here II 2000

Leading artists have preserved dead animals (Damien Hirst), crushed found objects with a steamroller (Cornelia Parker), appropriated objects from medical history (Christine Borland), presented her own bed as art (Tracey Emin) made sculpture from fresh food, cigarettes, or women's tights (Sarah Lucas), made extensive use of film, video and photography, used drawing and printmaking in every conceivable way, increasingly developed the concept of the installation (a multi-part work occupying a single space), and not least, refreshed and revitalised the art of painting.
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I posted on Ron Mueck a while back. Another of my favourite of the Young British Artists (YBAs) is Gary Hume (born 1962), who, of course, is a British artist and I think one of the most aesthetically progresiive of contemporary painters .

Gary Hume was born in Tenterden, Kent, and worked as an assistant film editor before giving it up in the 1980s to concentrate on art. He graduated from Goldsmiths College in 1988 and was part of the Freeze exhibition curated by Damien Hirst which brought together many of the artists subsequently promoted by Charles Saatchi as the Young British Artists.
His first group exhibitions were held that year at Karsten Schubert Ltd, London and in 'Freeze: Part II', at Surrey Docks, London.
'Snowman' (1996)

Following his first solo show at Karsten Schubert Ltd, London (1989) he rapidly established an international reputation, exhibiting in numerous significant group exhibitions throughout the 1990s. He was shortlisted for the Turner Prize in 1996 and was winner of the Jerwood Painting Prize in 1997.

He represented Britain at the 1999 Venice Biennale, where he showed his Water series, a number of superimposed line drawings of women (again, these were gloss paint on aluminium).
From Portraits 'Whistler' (1998)

In 2001 he was made a Royal Academician, to some surprise, given the Academy's perceived policy of admitting only older artists.
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This is by far my favourite screen adaptation of a Jane Austen novel. I re-watched some of it this morning on Ovation channel and I was again struck by just what an accurate and sophisticated rendering it is of the book. Of special mention is the gorgeous casting - Jennifer Ehle as the young Ms Elizabeth Bennet and Colin Firth as Mr Darcy are fantastic. The reason that the production succeeds so well is probably largely structural; At over 270 minutes in length, Pride and Prejudice (shown as a TV mini-series rather than a theatrical release) has a running time which exceeds that of Persuasion and Sense and Sensibility combined. Without the pressure to trim subplots and condense scenes, screenwriter Andrew Davies (Middlemarch) has allowed the full texture of Austen's novel to emerge. Thus, nuances and details that would be lost in a shorter version add strength to this one, so that, even at over four and one-half hours, Pride and Prejudice rarely loses momentum.

For those that don't know the story here it is. The main plot thread traces the relationship of Elizabeth Bennet (Jennifer Ehle), the second of five sisters, and a wealthy young gentleman named Darcy (Colin Firth of Circle of Friends and The Advocate). The two are not immediately attracted to each other -- a fair share of pride and prejudice separates them (hence the title) -- but, as the story progresses, they are forced to examine their hearts as well as their preconceptions about each other, in order to understand the truth.

Of course, Pride and Prejudice unfolds more than just Lizzie and Darcy's tale. There's a parallel love story between Lizzie's older sister, Jane (Susannah Harker), and the charming Mr. Bingley (Crispin Bonham-Carter). We also follow the thwarted marital plans of an odious, simpering cleric by the name of Collins (David Bamber), and learn dark secrets about the character of the seemingly open and generous Wickham (Adrian Lukis).

Whereas the 1940 film version of Pride and Prejudice, which starred Laurence Olivier as Darcy and Greer Garson as Elizabeth, conveyed the bare bones plot of the novel, it was less successful in translating the book's tone to the screen. This latest adaptation has no such deficiency. Austen's wry, incisive humor is much in evidence. In fact, it is this quality, along with deft characterization, that prevents the movie from descending into the realm of a nicely-costumed, brilliantly-photographed melodrama.

If you've never had the chance to see this work clear the diary for a good six hours - find the most comfortable spot on the couch, relax, and enjoy. It's excellent.
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Just an update for all you Hilary Duff freaks out there. I thought that Hilary was going to cover Madonna's famed 'Material Girl' and release it as a single as part of the promotion for her new movie 'Material Girls' with is going to be released in Australia later this year. However, news is that Hilary and Haylie Duff aren't going overboard with their cover of Madonna's "Material Girl," the song that inspired the sisters' upcoming flick. "The song's going to be in the movie, but we're not going to release it as a single," Haylie said. "There's no time to shoot a video ... but we already recorded it, it'll be in the opening of the movie, and it'll be on a compilation coming out [(Lip Smackers Presents) Girl Next], but not as a single." On related news - the poster for the film has been released. I think it looks fabulous. As do the majority of Hilary fans.
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Can I just say that I hope Haylie really doesn't have a large part in this movie because no-one wants to see her and they want to see Hilary and the only reason that Haylie is in the movie is because she is always trying to lurk into projects that Hilary does...she has no talent of her own and is just jealous of her sister's amazing success.
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Piss Christ is a controversial photograph by American photographer Andres Serrano. It depicts a small plastic crucifix supporting the body of Jesus Christ submerged in a glass of the artist's urine. Some have suggested that the glass may also contain the artist's blood. The piece was a winner of the Southeastern Center for Contemporary Art's "Awards in the Visual Arts" competition, which is sponsored in part by the National Endowment for the Arts, a United States Government agency that offers support and funding for artistic projects.

The piece caused a scandal when it was exhibited in 1989, with detractors accusing Serrano of blasphemy and others raising this as a major issue of artistic freedom. On the floor of the United States Senate, Senators Al D'Amato and Jesse Helms expressed outrage that the piece was supported by the National Endowment for the Arts, since it is a federal taxpayer-financed institution.
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Andres Serrano, Piss Christ, 1987 (color photograph, Museum of Contemporary Art, Chicago)


Serrano contends that his work Piss Chris would not have caused as much controversy if it weren't for the title. He claims that he meant no disrespect. However, he titled the piece in the same manner that he titled all of the works of the period: a description of the object seen as well as the liquid it was submerged in.

Interestingly, in 1997, Dr Timothy Potts, at the time the Director National Gallery of Victoria, chose to close an exhibition of Andres Serrano's work as a result of public pressure. Rightly, in my opinion, Andres Serrano protested and condemned all who supported Dr Potts. He attacked the Victorian Premier, Jeff Kennett by saying:

"Its interesting for Kenneth to categorise my work as 'junk' in doing so he's also saying the National Gallery of Victoria supports garbage,as far as I'm coserned Dr Potts has no future and anyone who agrees with him is a fool ".
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I recently had the opportunity to travel through central and northern Australia, during which I was lucky enough to spend some time in the MacDonnell Ranges which rise to the east and west of Alice Springs. Struck by the magnificence of that environment it was not until I reached Darwin that I realised that this area was the inspiration and subject for many of the paintings by, arguably, Australia's most famous Indigenous artist, Albert Namatjira.

For international visitors, here's some info about the artist and his work:

Namatjira was born into the Arrernte community at the Hermannsburg Lutheran Mission, near Alice Springs, Northern Territory. He was first named Elea but then christened as Albert when his parents adopted Christianity. At 13 years of age Namatjira was initiated into the Arrernte community and taught the traditional laws and customs. At 17 he married Ilkalita (Rubina) of the Luritja community. Namatjira met Australian artist Rex Battarbee who visited Hermannsburg in 1934. Battarbee tutored Namatjira in the western tradition of painting and helped him to organise his first exhibition in Melbourne in 1936. This exhibition was a success and Namatjira was encouraged to exhibit his work in Adelaide and Sydney. Other exhibitions of his work followed, especially during the 1950s.
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'MacDonnell Range Bluff' watercolour

Namatjira's paintings express his relationship with the Arrernte country, particularly the Western Arrernte lands, for which he was a traditional custodian. Through his intense scrutiny of specific places and his sensitive response to their individual qualities, Namatjira enables us to see the Centre as a multi-faceted region of Australia. A region of extremes, central Australia is far from a 'dead heart'.

The National Gallery of Australia summarises the subtlety of Namatjira's work thus:

"Water is a powerful presence; it is the central dynamic for change. Its absence or presence is the source of much of the diversity of visual forms and motifs that engaged Namatjira throughout his painting career. The 'red heart' is a misnomer for a land in which light and distance are key factors that shape perception, fragment forms and transform colour. Namatjira developed a rich repertoire of compositional devices to express his experience of being in this world. In so doing, he expands our vision. He opens our eyes and our senses to new ways of seeing the Centre."

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'West MacDonnells' watercolour


For more info on the artist's life and work see the official website
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Alien Renaissance: photoshop art

May 26th 2006 00:57


Artnewsblog brought to my attention that the Worth1000 website recently held a Photoshop competition where artists were asked to imagine that the renaissance period in art also had monsters and aliens around....Silly? Yes. But also kinda fun in a nerdy way.

Predictably, the 'Mona Lisa' came in for a fair bit of schtick.

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Mona Satan

There are a heap more of these kinda unsettling images, one of my favourites is a picure featuring that little rascal 'Chucky' from the Child's Play franchise. Contrast it with the original.

Check out the rest of the entries at isplay=photoshop#entries" target="_blank">Worth1000 , some are pretty scary.

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Here's something a little more lighthearted than my last post. Thanks Amy for the inspiration.

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streets paved with gold


Julian Beever is a British chalk artist who creates chalk drawings on pavement that create the illusion of three dimensions when viewed from the right location. These Trompe-l'oeil drawings are created using a projection called anamorphism and appear to defy the laws of perspective.

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Girl on a beach mat


Besides the 3D art, Beever paints murals and replicas of the works of masters. He is often hired as a performance artist and to create murals for companies. Beever is interested in advertising and marketing, as well. He has worked in the UK, Belgium, France, The Netherlands, Germany, Austria, the USA and Australia.

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Does Coke really satisfy?


The pictures really are a lot of fun, adding a splash of colour and whimsy to those cold, grey London mornings.
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Maurizio Cattelan: Hanging Kids

May 2nd 2006 23:09
The Fondazione Nicola Trussardi has presented a new installation by Maurizio Cattelan conceived for one of the most significant sites in the city of Milan.

The controversial installation, which sees three fake children hanged from trees in the public square has divided the artisitic community as to the merits of the work.

The artist, Maurizio Cattelan, maintains that hanging three kids from their necks in an oak tree in Milan park is a good way of getting in touch with your inner child. "Childhood, this strange place where traumas happen and you dream incredible dreams, is a place I always return to," says Cattelan.

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The installantion in Milan's Piazza XXIV Maggio


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Possibly a disenchanted view on childhood, Maurizio Cattelan’s new installation is also a reflection on the role of the artist, seen as the ringmaster of a circus, in which cruelty and entertainment meet and overlap.

More than that, the work is a meditation on spectatorship itself. Called on to look at the work because of its status as 'art', the viewer simulataneously desires to turn away from such a horrific image. And the more one looks, the more voyeuristic potential the spectacle profers - the spectator forced to ask him/herself the shocking question 'Am I actually enjoying this?'

The viewing process is therefore ambivalent, a process that forces the spectator to question in a wider sense why he/she looks at images of violence/punishment, and the blurred line between such images and art itself.
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The uneasy crossover between art and celebrity has been much discussed in recent years. Artists as celebrities is hardly a new phenomenon, but the growing cult of celebrity in contemporary culture is throwing up paradoxical ideas about the contradictions between 'high' art and mass appeal and blurring the already unstable boundaries between art, commodity and popular culture

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Mickey Rourke


Michael Bell, for instance describes himself as a 'celelbrity artist' and explains his aritistic mission in the following way; "Painting, for me, is an intense, dynamic process of self-exploration and a constructive way to give form and meaningful expression to an internal experience. I take on a philosophical approach to the art-making process, investigating problems on a personal and intuitive level. "

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Gary Oldman


The artist's works, however, exhibit another interesting feature; the perpetuation of the given celebrity's star image. Both Oldman's and Rourke's portraits show the stars as if they are 'in' their respective on-screen characters. Rourke, the Hollywood bette noir, is portrayed as if he's just stepped out of the ring whilst Oldman appears characteristically maniacal. So rather than the works- as portraiture purports to do - depicting the subjects candidly 'as they really are', here the celbrities' 'real' selves are conflated with the characters that they play on-screen. This phenomenon - the conflation of star and role - is intriguing. Why the public needs to assume a coherence between stars' on- and off-screen is something that is perplexing - I guess I'll have to think some more about it.

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Heat


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Artmatysik: real art?

April 6th 2006 02:37
I don't even know if this is art. Don't get me wrong, I like it, but seriously....artistic merit....kitsch? What is that anyway.

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Freulingserwachen




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ArtMatysik is a German art collaborative made up of members of the Matysik family: Betram, Dr Gerd and Gertrude. The artists treat a curious range of topics, predominantly focussing on the eroticised human body, automobiles and nature portraits.

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Sea and Evening

The official website explains this obsession saying that "Because of the human being´s permanent desire for love, savety and security and unconsciously or consciously the important role of sexuality in his life you can find these central themes in the artist´s work again and again, especially in the erotic paintings, nudes and portraits." The artists go on to explain that "Faced with the mental impoverishment and emotionless in the interpersonal area and the destruction of the nature by the human being without thinking about it, the viewer can get an impression of the nature´s singularity and beauty."

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Ferrari F40


I find this explanation, for such a strange artistic fetish, insufficient. Moreover, rather than a rejection of contemporary culture's superficiality, I find that Artmaysik's work perpetuates a prioritisation of surfaces. For instance, in the artwork featured here, the aesthetic appeal lies in the seductive surfaces of their respective subjects.

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Unnamed


In 'Sea and Evening' the work focalises bodily sites of sexual fetish, the breasts and arse, thereby reducing the woman to little more than an amalgam of sexualised body parts. This superficial rendering is emphasised by the cliched 'playboy' choreographing of her body position and exotic locale - characteristics that epitomise the superficiality of contemporary consumer culture. Furthermore, there is no discernable parody of this type of presentation, the work simply apeing Hefner-esque styles without in any way subverting them.

Just some thoughts
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Kenneth Hung: MaoDonald

April 5th 2006 13:35
Here's another of Hung's works - this one taking aim at post-Communist China

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Having some fun with Chairman Mao



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Staying with yesterday's theme; the interaction of celebrity/ mass culture and art, I thought that today I'd ahve a look at one of Kenneth Hung's artworks Lard of the Wings, MeccaDonalds, Holyburton

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Lard of the Wings, MeccaDonalds, Holyburton


Born in Hong Kong, now residing in San Francisco, Kenneth Hung is a multimedia artist, the media he experiments with include internet art, interactive installation, video, sound and performance art.

This work combines commercial, sacred and political iconography. Iconic images of 21st century consumer culture are present; processed branded food - the 'Heinz' tomato sauce, greenbacksand, the red and yellow colour palette of the omnipresent 'McDonalds' and visual elements from the blockbuster 'Lord of the Rings' trilogy. Religious imagery is also observable in the Jesus-esque central figure and the framing of this figure as if in surrounded by a halo. Finally political icons are also evident in the manipulated figures of John Kerry, Dick Cheney and George W Bush.

The pastiche quality of Hung's work which digests and recycle global icons could be said to comment on the imagery that has burned itself onto the global consciousness through ceaseless newscasts and everyday exposure. Reduced to the signifiers of little apart from their own iconic-ness, Hung's work illustrates the sematic empitness of mass culture - and therefore, represents a stinging critique of contemporary culture.

The public's main resource to experience Hung's multimedia art is his website, 60x1s.com. Primarily through this site, and in only five year's time, he has become a global celebrity with exhibits in over twenty countries.


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Sticking with yesterday's pregnancy theme I thought that today I'd have a look at Lester Haines' sculptural installation currently on exhibition at the Capla Kesting Fine Arts Gallery in Brooklyn.

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ouch


The artist and gallery has claimed his work as a celebration of life - indeed a 'pro-life' piece, celebrating the recent birth of Spears’ baby boy, Sean, and applauds her decision of placing family before career. “A superstar at Britney’s young age having a child is rare in today’s celebrity culture. This dedication honors Britney for the rarity of her choice and bravery of her decision,” said gallery co-director, Lincoln Capla. The dedication includes materials provided by Manhattan Right To Life Committee.

Certainly, the work is not pro-abortion but, at the same time, there's nothing about it that is explicitly pro-life. If anything the sculpure seems to offer a discourse on the tensions inherent in being a celebrity. Namely, that celebrites are simultaneously real and unreal people - they have a bodily presence but this presence is manipulated into a form that does not reflect this reality. It is this tension that the piece captures. Britney is at once arrestingly human - the porelessness of her airbrushed/ retouched MTV existence subverted by the penetrability of her birthing body. at the same time, the sculpture is idealized - the former popstar's body position - back arched on all fours on a bear skin rug - appears choreographed - just another performance, as if the 'real' Britney is again hidden behind performance, even in this most private, primitive moment.

just some thoughts.

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Ron Mueck – Pregnant woman 2002

April 3rd 2006 14:02
So this blog has changed once again - from a site with a Sydney focus to one that delves into art from around the world. To make the transition a little smoother I have picked an interesting work to look at today that is installed in the National Gallery in Canberra, created by London based Australian sculptor Ron Mueck.

Somehow I recently found myself in Canberra on holiday and, having made the iconic trip to Fyshwick for porn and fireworks, I found myself at a loose end. Foregoing sunset at telecom tower I decided instead to visit the National Art Gallery. ON entering the gallery I was confronted by Ron Mueck's arresting sculptural installation Pregnant Woman

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Pregnant woman is Mueck’s most ambitious work to date. The sculpture is monumental (2.5m high), imposing and confronting when first experienced by the viewer. However, the viewing experience is an ambiguous one, as the work's corporeal verisimilitude; nails, kneecaps, nipples and pubic hair, portrayed with scintillating realism, simultaneously evokes the unthreatening and humanly blemished maternal body. She is exhausted, hands held back over her head; the face is tender and vulnerable.

Her presence is a powerful one indeed, and for me the most interesting question that the piece posed concerned the definition of humanness. Here, the sculpture's bodily realism invites the spectator to view it as the representation of a pregnant female. At the same time the work's immense scale, PVC sheen and exposed join line (that runs down the figures abdomen) undermines this invitation - the piece explicating its own artifice and corporeal distortion - anyway, just some thoughts.
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A Review

March 29th 2006 10:13
Mozart's Die Zauberflote(The Magic Flute), one of the composer's very last works, is a operatic standard, a fun an innocent work that is a perennial favourite amongst opera lovers. The plot is pretty unimportant, the appeal of the opera essentially lying in the incredibly contrasting score and its pastiche of operatic and performance styles, incorporating elements of pantomime, farce, spoken dialogue and 'special effects' scenes. That being said, a few words on the plot probably wouldn't hurt.

Prince Tamino, wandering far from home, is rescued from a monster by Three Ladies. Their mistress, the Queen of the Night, asks Tamino to resue her beautiful daughter Pamina from the clutches of her rival Sarastro, and to aid him in his quest Tamino is given a magic flute. A number of implausible plot developments take place and by the end of the opera Tamino and Pamina, now lovers, are welcomed into Sarastro's order.

David Freeman's new production of The Magic Flute is the first of three Mozart productions in the 2006 season commemorating the 250th anniversary of the composer's birth. The current production retains the integrity of Mozart's score and libretto whilst simultaneously attractively modernising the work.

Emma Matthews is as articulate and impeccable as ever in her role debut as Pamina, and nowhere more so than in her lovely G minor aria. Stephen Richardson, also in his debut as the high priest Sarastro is suitably rotund in timbre and grave in countenance, although Amelia Farrugia as his arch nemesis, the Queen of the Night, sounds more strained and edgy with her stratospheric coloraturas. The supporting roles of the Three Ladies (Sarah Crane, Catherine Carby and Sally-Anne Russell) and the Three Boys (Robert Adam, Harrison Collins, Nathan Greentree) act with loads of character and sing eloquently.

The work's production design also deserves mention. A dazzling melange of styles, the design incorporates fantastical, retro-camp and arcane elements into both Acts. Similarly enticing to a modern spectator is the lighthearted idiomatic translation of the piece's dialogue which turns Papageno into the archetypal Aussie larrikin. Having said that, from the number of zimmer frames shuffling around the Opera House foyer on the night of the performance it is debatable whether such modernisation was necessary, the ancients among the audience probably preferring the opera the way they first witnessed it, at Schikaneder's popular suburban vaudeville theatre in Vienna in 1791.

The Production runs until April 1
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