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A blog for artists and lovers of the arts from around the world, featuring discussions, appreciation and commentary on visual art, performance art and art-film.

World Art - February 2007

Laura Spector Rustic Designs

February 28th 2007 23:00
Is this cool? An exotic furniture folly with an ecological backbone and a heart full of whimsy is the spirit behind this Balinese Temple chair with yellow umbrella. These beckoning seaters are made from tree trimming scraps that would otherwise be waste materials.



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The City of Jersey City, The Athena Group and BLDG Management Co., Inc. announced today that the Office for Metropolitan Architecture (OMA) has been commissioned to design a mix use development in Jersey City’s burgeoning waterfront development, at 111 First Street.

The 1.2 million SF development’s mix of program of condominiums, public amenities and hotel, artist work & live studios, gallery, retail and parking will act as a beacon for the future development of the area into Jersey City’s arts district. Each component of the program is concentrated into individual blocks: a cube of artist work & live studios and galleries, a slab that combines hotel rooms and apartments, and a wider slab that accommodates deeper apartments. The resulting volumes are stacked perpendicularly in plan to create a 52 storey tower.


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The U-Bora Tower Complex is a mixed-use development located in the heart of Business Bay. The design has given equal attention to its three different uses - office, residential and retail, in order to maximize their opportunities and viabilities within the site's context.

The 250 meter high U-Bora Office Tower is located prominantly on the main axis. It was designed as an anchor on the axis and within its own development. Along with the 462 meter Burj Alam, located across the street of this main axis, the two towers work together and act as a gateway into the development. In addition, the project weights the office space toward the top by starting with smaller 1,100m² floors at the bottom and slowly increasing toward the top 2,000m² floors.

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Townhouse Gallery in Cairo presents 'Palimpsest: Photography by Nermine Hammam' during March, 2007. In this series of works, brought together under the title Palimpsest (a parchment from which writing has been incompletely erased to make room for another text), artist Nermin Hammam plays with fixed notions of artifice and reality.

Using graphics technology to evoke Caravaggio’s Tenebroso (literally meaning dark and gloomy), layering textures and washes of pigment to imbue photographs with a static, painterly quality, she documents rituals in which religious boundaries are transgressed as a matter of course, Christians and Muslims flocking to church in search of solace and healing.

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GALLERY twenty-four is now expanding its artist representation program to its Berlin location. Based on the model of its New York program, the gallery will now be providing 1 - 3 year representation in its new Berlin-Mitte location.

The new space, located in the heart of the established Berlin gallery district, will be able to accommodate works from 10 permanent artists. To be considered for this program, artists must demonstrate the ability to consistently produce high quality artwork and provide evidence of sound exhibition and sales history.
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ASTO Museum of Art is pleased to announce the opening of L.A. International Art Festival 2007 on February 24, 2007.

The theme of the exhibition this year, which features work by over 115 international artists is 'Simultaneous Multiplicity' and will continue until March 31, 2007. The event is supported by Hanseo University, South Korea. Among the artists included in the exhibition is Cris Orfescu, who presents NanoArt.

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SPACE. Sites for Art

February 28th 2007 00:22
The Academy of Arts opened the exhibition “SPACE. Sites for Art” on February 23, 2007. It is the conclusion of an interdisciplinary project that has run for three years. The project began with the “prologue” to the opening of the new building on Pariser Platz and continued with an international symposium and a whole series of events. The central theme of the exhibition is the question of the relationship between space and site in the arts of the 20th and beginning 21st centuries.

This takes up, on the one hand, an artistic problem and, on the other, also the answer of the arts to a global change in our society. Art has become site-less – and not just since the emergence of virtual media. Already since the beginning of the 20th century, the arts increasingly connect depictions of space with an examination of their own site. With the disappearance of the unquestioned hierarchy of societal sites in modernism, art lost not only its commission to represent, but also the foundation of its traditional understanding of itself.
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One of Germany's leading graphic artists of the early 20th century, Käthe Kollwitz (1867–1945) was a staunch defender of the poor, a critic of both World Wars, and deeply dedicated to her family. In recent years, the Portland Museum of Art has assembled a growing collection of her etchings, lithographs, and woodcuts that cover the course of Kollwitz’s illustrious career.

Featuring 22 prints, Kathe Kollwitz Prints: Defending the Downtrodden will be on view February 24 through May 27 at the Portland Museum of Art. Most of the works in the exhibition are gifts from the David and Eva Bradford collection of German Expressionist graphics. They range in date from the late 1890s to the turbulent 1920s, during the years of the Weimar Republic in Germany, when unemployment and poverty were rampant.

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Viveza Art Experience, 2604 Western Ave., presents 'Arterial: Organic Intersections of the New Cityscape.'

This evocative exhibit runs through Wednesday, February 21 to March 18, 2007 and offers a diverse collection of works by award-winning artist Christopher Santer, mixed-media artist Brian Scott Campbell and prolific painter Jeff Koegel. All three artists will be in attendence at the opening reception from 6 to 10 p.m. on Friday, Feb. 23.
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Guercino: Mind to Paper

February 22nd 2007 23:16
Giovanni Francesco Barbieri (1591-1666), nicknamed Guercino (“squinter”) after a childhood incident left him cross-eyed, is regarded as one of the most significant Italian artists of the Baroque period. A prolific and fluent draughtsman who was known as ‘the Rembrandt of the South’, he was hailed for his inventive approach to subject matter, his deftness of touch and ability to capture drama and movement. The exhibition reflects the artist’s extraordinary technical and stylistic versatility, and is the second joint exhibition to be organised as part of the Courtauld Institute of Art’s ongoing collaboration with the J. Paul Getty Museum, Los Angeles.

It is focused around an important group of twenty-six drawings from the collection of Sir Robert Witt, bequeathed to the Courtauld in 1952. A number still retain the distinctive patterned ‘Casa Gennari’ mounts that originate from the studio of Guercino’s nephews and studio assistants, Benedetto and Cesare Gennari, to whom he left his entire stock of drawings. Guercino: Mind to Paper will be on view at the Courtauld Institute of Art Gallery, Somerset House, Strand, London WC2, from 22 February to 13 May 2007.
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Small works answer the urban landscape

February 20th 2007 23:00
"Make no little plans; they have no magic to stir men's blood," the great city builder Daniel H. Burnham famously advised. No offense to Burnham, but little plans in the right hands can be soul-stirring. Even the most modest building, when it is the product of inspired design, can raise the bar for everything that comes after it. And by thinking small, architects and their clients often have more leeway to invest in design nuances and high-quality materials. Tiny, jewel-like projects also help to heal wounds in the urban fabric and create a distinctive sense of place in cities and suburbs alike. "Small size lets you have more control," says Sebastian Schmaling of Johnsen Schmaling Architects, one of the city's most innovative young firms. "We're interested in materiality, in details, in the tactile qualities of a building, all the way down to the last screw head -- the way you experience it at the pedestrian level. And you can't always do that with a tall office building."

Schmaling's practice, which has earned national recognition, has several projects in the pipeline that showcase the advantages of the small-is-beautiful approach. One, planned for S. 76th St. and W. Layton Ave. in Greenfield, is a sculpture garden commissioned by Karl Kopp, the design-conscious owner of adjacent Kopp's Custard. In collaboration with Phoenix artist Janis Leonard, the architects plan to install a 32-foot-square glass cube and other sculptural objects inside a thick grove of winter-hardy bamboo and light the site at night. The idea is to create a lantern-like presence and contemplative buffer along a busy commercial street. The same firm has designed a custom-fabricated glass storefront system that will soon be installed at the former Coffee Trader building on N. Downer Ave. The shifting vertical panes will be held in place by stainless steel tracks, creating what Schmaling calls "an almost immaterial enclosure," absent the usual clutter of framing. There's another east side gem in the works, at N. Farwell Ave. and E. Greenwich Ave.: a glassy box of Miesian simplicity designed by David Lang, a rising star at Hammel, Green and Abrahamson, for a small dental practice.

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Plans have just been unveiled for a new home for the Museum of African Art in New York City. Designed by Robert A.M Stern, the new museum, which is to be located on 5th Avenue at the edge of Harlem twenty blocks South of the Guggenheim, will provide permanent quarters for this successful institution, which has operated out of temporary spaces for the past 22 years.

The museum will be housed in the lower levels of a 19-storey luxury residential tower and will provide 92,000 square feet on three floors above grade and two below. Key features of the design are a dramatic two-storey lobby at entry with a wall made of etimoe wood from Ghana that curves upward to form the ceiling. On the exterior the museum will have trapezoidal windows with bronze-painted mullions that will rise the full height of the building. The museum, which is to be completed in 2009, is estimated to cost $80million.

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Antonia Papatzanaki: Visions of Light

February 16th 2007 22:41
chashasma is pleased to present Visions of Light, a solo exhibition of the acclaimed Greek sculptor Antonia Papatzanaki. Visions of light exhibits Papatzanaki’s signature wall-reliefs, which represent her production of the last decade, and an installation of new Plexiglas works. Her work is a constant dialogue between the artificial light of the work and the ambient light of the surroundings.

The works function as a conceptual manifestation connecting sculpture, architecture, and the experience of light.
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BOTTANICAL SPA: Tschuggen Bergoase spa

February 15th 2007 10:23
The Tschuggen Bergoase spa, nestled in the mountains near St. Moritz, Switzerland, takes on a cathedral-like quality.

It was designed by Swiss architect Mario Botta who is renowned for his museums and sacred spaces. In contrast to the neighboring Tschuggen Hotel, the spa wears a sleek, timeless design that signals a shift into an interior space of natural quiet.

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From that amazing city Dubai. Nakheel invited architects to make a concept master plan design for Palm Jebel Ali, just off the coast of Dubai. The winning design submitted by Royal Haskoning and D103 International consists of a surface area of 300,000m² to be used for sports activities, residential housing, a retail sector, and office buildings. In addition, public parks, marinas and an iconic bridge were part of the design brief.

The winning design is a joint effort between Royal Haskoning’s design teams in Bangkok, Amsterdam and Dubai. Royal Haskoning has been working on various projects in the United Arab Emirates, including Palm Jebel Ali, Palm Jumeirah and The World Island, since 2000. Other activities, such as spatial development, environment, maritime, infrastructure, structural engineering and building services projects are foreseen in the very near future. Royal Haskoning’s activities in Dubai and the Middle East are co-ordinated from the company’s office in Dubai.
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Nakheel invited architects to make a concept master plan design for Palm Jebel Ali, just off the coast of Dubai. The winning design submitted by Royal Haskoning and D103 International consists of a surface area of 300,000m² to be used for sports activities, residential housing, a retail sector, and office buildings. In addition, public parks, marinas and an iconic bridge were part of the design brief. The winning design is a joint effort between Royal Haskoning’s design teams in Bangkok, Amsterdam and Dubai. Royal Haskoning has been working on various projects in the United Arab Emirates, including Palm Jebel Ali, Palm Jumeirah and The World Island, since 2000. Other activities, such as spatial development, environment, maritime, infrastructure, structural engineering and building services projects are foreseen in the very near future. Royal Haskoning’s activities in Dubai and the Middle East are co-ordinated from the company’s office in Dubai.
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Frida Kahlo: Images of an Icon

February 6th 2007 22:23
Tacoma Art Museum’s exhibition Frida Kahlo: Images of an Icon presents some sixty photographic portraits of the Mexican artist Frida Kahlo taken throughout her life. Beginning with childhood and ending with the image of Kahlo on her deathbed, these portraits bring into focus the painter, the patient, the wife, the daughter, the lover, and the friend.

“Frida was, and continues to be, a source of fascination and inspiration,” said Director Stephanie Stebich, who curates the exhibition. “She was not only known for her art, but also for her striking appearance, her radical politics, her stormy marriage to artist Diego Rivera, and her lifelong health problems. All of it was captured in the camera lens, in entrancing formal and informal portraits.”

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DUBLIN's Clarence Hotel is an upscale establishment that is about to undergo a 21st century renovation. The Clarence is being redeveloped by the project's owners, U2's Bono and the Edge, to be one of the "most spectacular hotels in Europe". The project, which is being designed by Foster and Partners, is estimated to cost 150 million euros. The new hotel will have 114 rooms, 14 suites and a world-class spa.

Andy Bow, a senior partner at Foster's practice described the hotel in the Irish Times as being organised around a "skycatcher atrium" that would rise from the basement level to the roof. A reflective canopy is to cover the structure. Norman Foster described the Clarence in the Irish press as "an ambitious project" that will create "a bold new addition to Dublin's skyline

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Landscape Revisited: Fact and Metaphor

February 5th 2007 23:04
Landscape Revisited: Fact and Metaphor, a multi-site and multi-media exhibition curated by Peter Homitzky, has its opening reception on Thursday, February 1, 2007, 6-8pm at City Without Walls (cWOW). Works in the exhibition will be shown in two locations. From February 1 - March 29, 2007 at cWOW, 6 Crawford Street, Newark, NJ and from January 8 April 27, 2007 at Seton Hall University School of Law, One Newark Center, Newark, NJ .

Both venues are free and open to the public. The exhibition treats the landscape as experience rather than mere pictures of places. The artists approach their landscapes as conceptual works that are neither specifically literal nor descriptive.

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BLACK USA is an art exhibition celebrating past, present and future life of Black people in the USA. Commemorating Black History Month, New Orleans Mardi Gras and life in general the show is one view at the Gloria Kennedy Gallery in Brooklyn.

Ione Citrin, Deborah DeGraffenreid, Diane C. Duvall, Lou Grant, Leon Nicholas Kalas, Harry Longstreet, Gloria Kennedy and Jeanmarie Theobalds.

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