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A blog for artists and lovers of the arts from around the world, featuring discussions, appreciation and commentary on visual art, performance art and art-film.

World Art - August 2006

Many Westerns feature lawmen doing their duty, but in Joseph A. West’s Shootout at Picture Rock, Deputy U.S. Marshal John Kilcoyn has a very personal interest in bringing the outlaws to justice. The woman he loves, Angela Wilson, and her father, Dr. Alan Wilson, have been kidnapped by Jake Pride, a former lawman gone bad who Kilcoyn put in prison. Pride demands $10,000 in ransom money. Operating out of Dodge City, Kilcoyn teams with Ford County Sheriff Bat Masterson and a young photographer, Barry O'Neil, to embark on a dangerous mission that includes confrontations with hostile Indians, outlaws, and gunmen. The money in Kilcoyn’s saddlebags proves an irresistible attraction to those who would kill or risk getting killed to get their hands on that $10,000.


West has an excellent eye for detail, and with the story taking place mostly in the face of bone-chilling snowstorm and blizzard conditions, the environment could be said to be an important character in the book. In almost every chapter Kilcoyn has a deadly encounter, and as the bodies mount up, the marshal also has to deal with his own private demons. The involvement of Cheyenne and Sioux in the story is less convincing than the dangers presented by Pride and gunman Frank Ivers. One wonders if Indians would really be suicidal in pursuit of a man who killed one of their own in a fair fight. Also, since the final confrontation takes place at Horse Thief Canyon, the title of the book seems misplaced. That said, West provides a fast-paced story that will compel readers to read just one more chapter before taking a break, and maybe just one or two more after that.
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'Toby Ryker' by Steven Merrill Ulmen.

August 30th 2006 23:31
I've been reading westerns recently. Ithought I'd throw a couple of reviews your way. In this novel Toby Ryker is an aging mountain man who’s never forgotten or forgiven the men who slaughtered his Indian wife and child. When by chance he sees the last living perpetrator of the tragedy, he shoots him, but because the man’s small daughter is witness, gives up his vengeance and leaves the man alive. Toby, a devil-may-care man’s man, (with a soft spot for children) goes on his way, whoring and instigating fights just for fun in saloons on the way to Laramie, Wyoming to visit his old friend, David Stewart. He’s unaware the shooting has brought ruthless bounty hunter John McQuiston down on his trail. To make matters worse, Toby’s heart is about to give out on him. He wants one more elk hunt with David before he dies. They head into the mountains, ignorant of the fact that McQuiston is following, with McQuiston followed in his turn by Sheriff Jesse O’Brian. Turns out the bounty hunter, in his drive to capture Ryker, has murdered an innocent cowhand who got in his way. In a finale that involves catsup—yes, catsup—the reader is being led into a sequel. Full of graphic, comic turns of phrase, this man’s novel is sure to please.
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Here's a must see exhibtion for those in the Sydney area!

One of the most original and inventive artists of the 20th century, Alberto Giacometti stands beside Picasso and Matisse as one of the great masters of modern art.

[ Click here to read more ]
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In an announcement that makes me wish I could up and leave this cultural backwater, Agora Gallery in SoHo is running what appears to be a fantastic exhibtion 'A Collective Exhibition: Contemporary Art at its Best.'

According to the Gallery website "The exhibition gathers the works of artists from around the world in a broad exposition of contemporary narrative and expressive abstraction. " The exhibition showcases ancient and modern motifs in contemporary imagery, metaphorical drama, and the multi-dimensional aspects of illustration that range form comic commentary to visceral pragmatism.

[ Click here to read more ]
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I was listening to ABC 576 'Radio National' the other night. I've forgotten what the name of the programme was, I think it was probably 'counterpoint'. Anyway, an American academic was being interviewed about why Americans, unlike the rest of the world, have not taken to soccer (football). The 'world game' as it's so often called is a global cultural phenomenon and appears to colonise whatever country it infiltrates, just look at the recent growth of the game in Australia leading up to and after the 2006 World Cup. The game is becoming increasingly popular at the grass roots level and is demanding more media coverage and comment.

The featured academic made what I thought was a god point. Whereas in contact sports (Rugby Union/League, AFL and American Football) and those sports that are distinctly American (Basketball, Baseball, Ice Hockey) there is usually a link between effort and reward. Basically, in these sports the logic is gladiatorial; the most well prepared, skilled and passionate team should (and usually does) grind done its opposition and carries the day.

[ Click here to read more ]
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'Kanyini' is a film by a young white Australian filmmaker called Melanie Hogan about an Aboriginal elder, Bob Randall, who was born in the Central Desert near Uluru some seventy years ago. 'Kanyini' is Bob Randall's testament. As a writer, a poet and a teacher, he's well-practised in communicating an understanding of traditional Aboriginal culture to both indigenous and non-indigenous people.

Melanie Hogan had read his autobiography, Songman, and she requested a meeting with him. Their friendship grew and, eventually, they collaborated in creating this unique portrait, almost a snapshot, of the Aboriginal story since white invasion more than two-hundred years ago.

[ Click here to read more ]
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Ismo Jokiaho: Remains of Beauty

August 25th 2006 00:01
Ismo Jokiaho is a Finnish artist whose works and paintings can be seen in many Finnish galleries and exhibitions. Ismo Jokiaho was born in Saarijarvi, in central Finland in 1965. Nowadays he lives and works in Tampere. His paintings are now for the first time in an exhibition in the City of Jyvaskyla. This exhibition is a brief introduction to Jokiaho's paintings created between the years 2004 and 2006.

Many of the pictures and paintings in this exhibition are widely Zen influenced works. This influence became very common and widespread in western art in the late 19th century. There are of course many different degrees of Zen influence, some only formal and some very deep, which extend beyond the formal artistic potential to uncover the philosophy behind that art and brushwork.
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One of my favourite TV shows on E! is 'Dr. 90210' a reality television series focusing on plastic surgery set in the wealthy suburb of Beverly Hills in Los Angeles, California. The series began its run in 2004. Dr. 90210 gets its name from the zip code of the core of Beverly Hills, familiar to most viewers because of the former popular television series Beverly Hills 90210.

The show features interviews with the patients, semi-graphicical footage (breasts images are blurred out) of the surgeries and before and after footage of the patients. For example, for patients wanting breast augmentation, the show displays the doctor examining the patient's breasts before and after surgery. Only content such as the patient's areolas are blocked (required for US broadcasting).

[ Click here to read more ]
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More on the Young British Artists

August 22nd 2006 23:31
I'm pretty into the prgressive YBAs who came out of Britain in the late 1980s, a time in which British art entered what was quickly recognised as a new and excitingly distinctive phase, the era of what became known as the YBAs - the Young British Artists. Young British Art can be seen to have a convenient starting point in the exhibition Freeze organised, while he was still a student at Goldsmiths College in London in 1988, by Damien Hirst, who became the most celebrated, or notorious, of the YBAs. Goldsmiths, which was attended by many of the YBAs, and numbered Michael Craig Martin among its most influential teachers, had been for some years fostering new forms of creativity through its courses that, for example, abolished the traditional separation of the media of art.

The label YBA turned out to be a powerful brand and marketing tool, but of course it concealed huge diversity. Nevertheless certain broad trends both formal and thematic can be discerned. Formally, the era is marked by a complete openness towards the materials and processes with which art can be made and the form that it can take.

[ Click here to read more ]
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Seriously, what's wrong with this show? I'll tell you - the nominal celebrities and the very concept of a celebrity version of the show. What makes Survivor work is that the contestants are strangers who reveal themselves over the course of the show. That and their desperation to win the cash. When you have celebrities competing for charity, there is little incentive to perform. This version is amusing at times, slightly, in a celebrity-out-of-water way, but there's little spark, at least so far. Although I have to say that as a big Elton Flatley fan it's great to see him soaring to new heights after such an illustrious Rugby career.
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Supporters of art in Sydney's inner west will be glad to know that Groundfloor Gallery in Balmain recently announced the opening of 'Arcadian Folly', an exhibition of recent paintings by Sydney artist, Timothy Preston. According to the Gallery's press release "The Arcadian Folly exhibition focuses on the artist’s perception of how painting can be a place of introspection of one’s morality and spiritual integrity."

Amongst the Sydney art community Timothy Preston is regarded to have developed an art of sensibility whose paintings are rare, precious and deliberately restricted in scope in order to deepen their presence. “Art is of the process rather than the state, of the becoming rather then the being”, Preston says. Alun Leach-Jones and Jules Olitski inform his work and are also strong influences.

[ Click here to read more ]
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Tino Sehgal - Solo Exhibition

August 18th 2006 23:30
I don't know much about Austrian art. However, recently I've come across the art of Tino Sehgal, a unique and progressive artist who always pushes aesthetic boudaries. Currently the Kunsthaus Bregenz is presenting the first solo exhibition by Tino Sehgal in Austria. According to the gallery's website, the show "provides audiences with the unique opportunity of getting to know and experience this artist’s unconventional work".

Tino Sehgal has developed a specific form of art that only arises through encounter. Carried out by interpreters, his work exists as situations that take the form of fleeting gestures based on movement or the spoken word and take place through interaction with the visitors. Thus, in lieu of the material production of objects, the artist creates temporary works consisting of bodies, space, and time.

[ Click here to read more ]
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I posted on Ron Mueck a while back. Another of my favourite of the Young British Artists (YBAs) is Gary Hume (born 1962), who, of course, is a British artist and I think one of the most aesthetically progresiive of contemporary painters .

Gary Hume was born in Tenterden, Kent, and worked as an assistant film editor before giving it up in the 1980s to concentrate on art. He graduated from Goldsmiths College in 1988 and was part of the Freeze exhibition curated by Damien Hirst which brought together many of the artists subsequently promoted by Charles Saatchi as the Young British Artists.

[ Click here to read more ]
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I watched a damn weird film yesterday -Marco Ferreri's 'Tales of Ordinary Madness'. Basically, on his "journey through life," a Los Angeles-based poet encounters people of every description. These include nymphomaniacs, unstable teenagers, and prostitutes. Loosely based on the exploits of Charles Bukowski. Most reviews that I've come across really hate this film.

Bukowski, or Charles Serking, as he is called in the film, is an interesting character, with something to say about why he feels most comfortable living with the ones he calls the "real people": the demented, the abandoned, the impoverished, the defeated, and the damned. It would be interesting to establish why it means so much to him to be with these type of people rather than with other poets -perhaps it is a yearning for a sense of sincerity, that these people are somehow more 'real' than the often pretentious and performative artistic crowd. The film offers no answers to these questions and only provides a few outward details of the protagonist's life. However, there is something poetic in the fact that as the film ends the poet seems like a lost soul, drinking to forget; but, when sober, he is seen as someone who is desperately searching for his muse.

[ Click here to read more ]
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This is by far my favourite screen adaptation of a Jane Austen novel. I re-watched some of it this morning on Ovation channel and I was again struck by just what an accurate and sophisticated rendering it is of the book. Of special mention is the gorgeous casting - Jennifer Ehle as the young Ms Elizabeth Bennet and Colin Firth as Mr Darcy are fantastic. The reason that the production succeeds so well is probably largely structural; At over 270 minutes in length, Pride and Prejudice (shown as a TV mini-series rather than a theatrical release) has a running time which exceeds that of Persuasion and Sense and Sensibility combined. Without the pressure to trim subplots and condense scenes, screenwriter Andrew Davies (Middlemarch) has allowed the full texture of Austen's novel to emerge. Thus, nuances and details that would be lost in a shorter version add strength to this one, so that, even at over four and one-half hours, Pride and Prejudice rarely loses momentum.

For those that don't know the story here it is. The main plot thread traces the relationship of Elizabeth Bennet (Jennifer Ehle), the second of five sisters, and a wealthy young gentleman named Darcy (Colin Firth of Circle of Friends and The Advocate). The two are not immediately attracted to each other -- a fair share of pride and prejudice separates them (hence the title) -- but, as the story progresses, they are forced to examine their hearts as well as their preconceptions about each other, in order to understand the truth.

[ Click here to read more ]
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I'm not into hororscopes and all that superstitious crap by any stretch of the imagination but I've come across Anna Von Mertens a San Fransisco artist who incorporates stellar constellations into her work in order to create some intriguing pieces. Here's some info about this original project which is exhibiting now.

Currently, the Jack Hanley Gallery in San Francisco is presenting a solo exhibition, titled 'As the Stars Go By', of the work of Anna Von Mertens who lives and works in the Bay Area. This body of work takes violent moments in Americaís history that have had a deep psychological impact and shows the star rotation pattern above these moments in time. The works have the proportions of a movie screen, representing historical events through the removed lens of observation, but in this format also revealing a literal vista, a window into a world. Events depicted include the Civil War Battle of Antietam, the single day in history in which the most Americans have died; the hour between the shot that killed him and the time Martin Luther King Jr. was pronounced dead on April 4, 1968; and the first sighting of land by Christopher Columbus off the coast of the Bahamas.

[ Click here to read more ]
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For those in the US - there's a travelling exhibition of African puppetry 'At Arm’s Length: The Art of African Puppetry' that's world renowned and, from all accounts worth checking out. It is making its way across the country so be sure to follow touring information to find when it reaches a town near you. I wish that Australians were lucky enough to have such troupes tour our country.

The exhibition features two of Africa’s most respected and popular companies, the Handspring Puppet Theater of South Africa and the Sogolon Puppet Company from Mali, presents nearly 100 animated puppets, marionettes, and puppet sculptures used in traditional and contemporary theatrical performances. Juxtaposed alongside the puppets are performance videos and photographs, demonstrating the creative possibilities of a true synthesis of the arts of two geographically distinct and historically separate regions.

[ Click here to read more ]
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For those international visitors to the site I thought I'd post on an intriguing artist I've come across on the net, Yeo Shih Yun, who hails from Singapore and currently has an exhibition of her work showing at Instinc Gallery.

An admirer of Jackson Pollock, Robert Motherwell and Franz Kline, Shih Yun's works are typically executed with high-energy spontaneity using Chinese ink and acrylic. In 1998, Shih Yun majored in Communications Design in Lasalle-SIA College of the Arts (Singapore). Thereafter, she underwent a one-year Post-Baccalaureate Program (Painting) at San Francisco Art Institute in 2001. In 2002, Shih Yun returned to Singapore and is a practicing artist ever since. In 2004, Shih Yun founded her own art space/studio, 'instinc' in Singapore. Shih Yun's other professional experience includes working as an fine arts faculty advisor for 3dsense Media School, educator, freelance designer, curator and experimental filmmaker. In addition, Shih Yun has been collaborating with artists from Singapore, US, Canada and UK for the past five years.

[ Click here to read more ]
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Just a reminder that the 'Old Europe: Prints & drawings from the collection 1500-1800' exhibition at the Art Gallery of NSW ends August 6 so if you haven't had the opportunity to get to it make sure that you make some time over the next couple of days to check it out. It's fantastic.
Nicholaes de Bruyn (detail) Country party outside a castle 1604 Purchased 1978

Basically, the display of some 100 works tells the unfolding story of the graphic arts in Europe, from the time of Mantegna and the master printmakers of the Italian Renaissance up to the 18th century. The exhibition features such artists as as Dürer, Rembrandt, Callot, Canaletto and Fragonard . Much of the Gallery's collection of earlier prints and drawings has rarely if ever been seen by the public.
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